Adam Miller, 1979 | Renaissance / Baroque style painter

Adam Miller's paintings explore the intersection between mythology, ecology and humanism.

Visually inspired by baroque and Hellenistic narrative painting they take a polytheistic approach to contemporary folklore, questions of progress and the experience of human narrative in the face of technological change and the struggle to find meaning in a world poised between expansion and decay.

Miller's work is mannerist in it's use of the human form as a vehicle of feeling and thought beyond the literal representation of a particular person.

Nikki Marie Smith | Abstract /Vintage style painter

"I am an artist, a mother, and an entrepreneur. My artwork and tutorials are regularly featured in Cloth Paper Scissors and Cloth Paper Scissors Pages magazines. I am following my passions and creating art that I love for the sheer joy of it! I hope it resonates with you as well.

I believe music and art have the power to move and inspire; to change the way we see the world.

My award winning Music Lovers series combines my passions for music, art and self-expression in a signature style uniquely my own".

Edouard Vuillard | Les Nabis Group

Édouard Vuillard, in full Jean-Édouard Vuillard (born Nov. 11, 1868, Cuiseaux, France-died June 21, 1940, La Baule), French painter, printmaker, and decorator who was a member of the Nabis group of painters in the 1890s.

He is particularly known for his depictions of intimate interior scenes.

Vuillard studied art from 1886-1888 at the Académie Julian and the École des Beaux-Arts in Paris.

Plinio Nomellini | Divisionist painter

Plinio Nomellini (Livorno, 1866 - Florence, 1943) was an Italian painter. Nomellini was born in Livorno in 1866. In 1885 he enrolled at the Florence Academy of Fine Arts, where he studied under Giovanni Fattori and formed friendships with Telemaco Signorini and Silvestro Lega as well as Giuseppe Pellizza some time later.

He took part in the Paris Universal Exhibition of 1889 and moved to Genoa, where he adopted Divisionism, the following year.

He exhibited a piece inspired by the Genoese workers’ strikes at the 1st Brera Triennale in 1891 and was arrested on charges of anarchism in 1894.

Regina Hona, 1956 | Seascapes painter

Regina Hona is an Australian artist, art show judge and tutor who's speciality is painting portraiture and water subjects.

Regina has held many group and solo exhibitions and has been winning many major awards since 1999. Her works have been printed in several issues of the Australian Artist Magazine and a feature article published in the International Artist Magazine.

Although she is predominately known for her seascapes and landscapes, she is equally at home painting portraits, still life and other subjects.

Suhair Sibai, 1956 | Abstract Portrait painter

Suhair Sibai was born in Syria in 1956. Through her work, Suhair explores the concepts of identity and the Self, using the female form as her preferred medium. According to Suhair, who was educated as an artist in the sprawling metropolis of Los Angeles, the level of multiculturalism and diversity to which many of us are exposed to these days has the potential to cause the discord, displacement, and division of the Self.

Raj Chaudhuri | New Orientalist painter

Raj Chaudhuri describes himself as one of the "New Orientalists", a traveling painter in the modern world.

Storytelling is his focus, creating exotic imagery from ceremonial camel races to paintings utilizing bright flashes of color such as "Rajasthani Women Waiting for a Bus" which recently won Raj an Honorable Mention Award at the 15th Annual American Impressionist Society National Juried Show.

Gaetano Cellini | Humanity Against Evil / L'umanità contro il male, 1908

L’umanità contro il male /Humanity against Evil, now at Rome’s National Gallery of Modern Art (GNAM), was one of the first works by Ravenna-born sculptor Gaetano Cellini (1873-1937).

Cellini presented the plaster model at the Milan Expo of 1906, for which he won the prestigious "Premio Fumagalli dell'Accademia di Brera".

On the base, he inscribed the title of the work and a couplet explaining its meaning:

"Thus I’ll extirpate using my teeth and nails

the eternal pain that stings my heart".