Paolo Fiammingo | Mannerist painter

Paolo Fiammingo | Mannerist painter

Pauwels Franck - known in Italy as Paolo Fiammingo and Paolo dei Franceschi (1540-1596), was a Flemish painter, mainly of landscapes with mythological and religious scenes, who was active in Venice for most of his life.
He was likely born c. 1540 but his birthplace is not known. He became a member of the Antwerp Guild of Saint Luke in 1561.
He is recorded in Venice from 1573 but was likely an assistant in Tintoretto’s workshop there already in the 1560s.
He worked in Venice for the rest of his career.


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Paolo Fiammingo | Mannerist painter

Pauwels Franck - known in Italy as Paolo Fiammingo and Paolo dei Franceschi (1540-1596), was a Flemish painter, mainly of landscapes with mythological and religious scenes, who was active in Venice for most of his life.
He was likely born c. 1540 but his birthplace is not known. He became a member of the Antwerp Guild of Saint Luke in 1561.
He is recorded in Venice from 1573 but was likely an assistant in Tintoretto’s workshop there already in the 1560s.
He worked in Venice for the rest of his career.


Christen Dalsgaard | Pittore di genere / Romantico

Christen Dalsgaard | Pittore di genere / Romantico

Era il figlio del proprietario della tenuta, Krabbesholm Manor, situata vicino a Skive nello Jutland.
Ha mostrato i primi segni di talento artistico e ha ricevuto una formazione come pittore artigianale.


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Christen Dalsgaard | Pittore di genere / Romantico

Era il figlio del proprietario della tenuta, Krabbesholm Manor, situata vicino a Skive nello Jutland.
Ha mostrato i primi segni di talento artistico e ha ricevuto una formazione come pittore artigianale.


Allegory of Poetry

Allegory of Poetry

As a literary device, an allegory is a metaphor in which a character, place or event is used to deliver a broader message about real-world issues and occurrences.
Allegory (in the sense of the practice and use of allegorical devices and works) has occurred widely throughout history in all forms of art, largely because it can readily illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
Writers or speakers typically use allegories as literary devices or as rhetorical devices that convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey.

Auger Lucas (French Rococo Era painter, 1685-1765) | An Allegory of Poetry

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Allegory of Poetry

As a literary device, an allegory is a metaphor in which a character, place or event is used to deliver a broader message about real-world issues and occurrences.
Allegory (in the sense of the practice and use of allegorical devices and works) has occurred widely throughout history in all forms of art, largely because it can readily illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
Writers or speakers typically use allegories as literary devices or as rhetorical devices that convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey.

Auger Lucas (French Rococo Era painter, 1685-1765) | An Allegory of Poetry

Allegory of Music

Allegory of Music

The "Allegory of Music" is a classic artistic theme used to personify the beauty, harmony, and theory of sound.
Historically, these artworks often feature a female figure (sometimes a Muse like Euterpe or Polyhymnia) surrounded by various instruments, sheet music, and symbolic animals.
Historically, it is often depicted as one of the Seven Liberal Arts, representing the mathematical and harmonic ratios that govern the universe.
The theme remains relevant today; for instance, modern songwriters use allegory in lyrics to convey deep moral lessons or complex emotions through surface-level stories.

Francesco Trevisani (Italian Rococo Era painter, 1656-1746) | An allegory of music

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Allegory of Music

The "Allegory of Music" is a classic artistic theme used to personify the beauty, harmony, and theory of sound.
Historically, these artworks often feature a female figure (sometimes a Muse like Euterpe or Polyhymnia) surrounded by various instruments, sheet music, and symbolic animals.
Historically, it is often depicted as one of the Seven Liberal Arts, representing the mathematical and harmonic ratios that govern the universe.
The theme remains relevant today; for instance, modern songwriters use allegory in lyrics to convey deep moral lessons or complex emotions through surface-level stories.

Francesco Trevisani (Italian Rococo Era painter, 1656-1746) | An allegory of music

Olga Oreshnikov, 1962 | Fantasy painter

Olga Oreshnikov, 1962 | Fantasy painter

Russian painter Ольга Орешникова was born in St Petersburg, a member of one of the most prominent families of artists.
Her paternal grandfather, Professor Oreshnikov, was Rector of the Academy of Fine Arts in St. Petersburg from 1953-1978.
He was also one of the leading artistic figures in the city and a member of the Soviet Academy.
Olga’s maternal grandfather was Roman Kotlarevsky, a renowned composer and professor of composition at the Conservatory of Music.
Her parents and close relatives are all either painters, art historians or practicing musicians.


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Olga Oreshnikov, 1962 | Fantasy painter

Russian painter Ольга Орешникова was born in St Petersburg, a member of one of the most prominent families of artists.
Her paternal grandfather, Professor Oreshnikov, was Rector of the Academy of Fine Arts in St. Petersburg from 1953-1978.
He was also one of the leading artistic figures in the city and a member of the Soviet Academy.
Olga’s maternal grandfather was Roman Kotlarevsky, a renowned composer and professor of composition at the Conservatory of Music.
Her parents and close relatives are all either painters, art historians or practicing musicians.


Hanan Milner, 1949 | Figurative painter

Hanan Milner, 1949 | Figurative painter

Hanan Milner was born in Lithuania, former USSR and immigrated to Israel in 1964.
In his youth he studied at Renanim and Telma Yellin art schools in Tel Aviv and at the Bezalel Academy of Art in Jerusalem.
He also learned from the famous Austrian artist Ernst Fuchs.
From the beginning, Milner painted in a realistic style in oils, water and acrylic.


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Hanan Milner, 1949 | Figurative painter

Hanan Milner was born in Lithuania, former USSR and immigrated to Israel in 1964.
In his youth he studied at Renanim and Telma Yellin art schools in Tel Aviv and at the Bezalel Academy of Art in Jerusalem.
He also learned from the famous Austrian artist Ernst Fuchs.
From the beginning, Milner painted in a realistic style in oils, water and acrylic.


Magdalena Serwin, 1983 | Figurative painter

Magdalena Serwin, 1983 | Figurative painter

Magdalena Serwin is an Polish artist born in the Jastrzębiu-Zdroju region, specializing in oil and putty technique.
Graduate of the State Higher Vocational School in Raciborz with a major in applied arts. Under the tutelage of great artists she explored the arts of painting, graphic arts as well as photography.
To a large extent, however, self-taught, for whom painting is a passion and at the same time a kind of peace, a respite from everyday matters.
When painting a picture, he always tries to find something unusual in the ordinary.
Ordinary characters, not known to anyone, with whom any viewer can identify, make friends....


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Magdalena Serwin, 1983 | Figurative painter

Magdalena Serwin is an Polish artist born in the Jastrzębiu-Zdroju region, specializing in oil and putty technique.
Graduate of the State Higher Vocational School in Raciborz with a major in applied arts. Under the tutelage of great artists she explored the arts of painting, graphic arts as well as photography.
To a large extent, however, self-taught, for whom painting is a passion and at the same time a kind of peace, a respite from everyday matters.
When painting a picture, he always tries to find something unusual in the ordinary.
Ordinary characters, not known to anyone, with whom any viewer can identify, make friends....


Nicola Vietti, 1945 | Figurative painter

Nicola Vietti, 1945 | Figurative painter

Nicola Vietti was born in Marseille to Italian parents emigrated from Apulia in France at the beginning of the century. Numerous solo and group exhibitions.
And 'present in catalogs and magazines. He currently lives and works in Milan, after a long period spent in Paris.
The figures of maidens Nicola Vietti, you can look on each side, three-quarter profile, facing away.
The style might defer to their fathers, that should not be forgotten at this point, as the International Botero and Bueno Nicola Vietti that offer a hint of a departure of style attempted with disenchantment.


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Nicola Vietti, 1945 | Figurative painter

Nicola Vietti was born in Marseille to Italian parents emigrated from Apulia in France at the beginning of the century. Numerous solo and group exhibitions.
And 'present in catalogs and magazines. He currently lives and works in Milan, after a long period spent in Paris.
The figures of maidens Nicola Vietti, you can look on each side, three-quarter profile, facing away.
The style might defer to their fathers, that should not be forgotten at this point, as the International Botero and Bueno Nicola Vietti that offer a hint of a departure of style attempted with disenchantment.


Matthias Grünewald | Altare di Issenheim, 1512-1516

Matthias Grünewald | Altare di Issenheim, 1512-1516

L'Altare di Isenheim (o Issenheim, secondo la denominazione francese della città alsaziana) costituisce l'opera più importante eseguita da Matthias Grünewald (1475-1528), uno dei più importanti pittori Tedeschi, noto per la drammaticità visionaria con cui ha affrontato temi di carattere religioso.
Si tratta di una sorprendente "macchina di altare" fatta di ante fisse ed ante rimovibili, che possono assumere tre diverse configurazioni.
Committente dell'opera fu l'abate del monastero di Issenheim, Guido Guersi.
Essa era destinata alla preghiera dei monaci antoniani e dei tanti malati (soprattutto quelli sofferenti del "Fuoco di Sant'Antonio") che venivano pietosamente accolti nel monastero.


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Matthias Grünewald | Altare di Issenheim, 1512-1516

L'Altare di Isenheim (o Issenheim, secondo la denominazione francese della città alsaziana) costituisce l'opera più importante eseguita da Matthias Grünewald (1475-1528), uno dei più importanti pittori Tedeschi, noto per la drammaticità visionaria con cui ha affrontato temi di carattere religioso.
Si tratta di una sorprendente "macchina di altare" fatta di ante fisse ed ante rimovibili, che possono assumere tre diverse configurazioni.
Committente dell'opera fu l'abate del monastero di Issenheim, Guido Guersi.
Essa era destinata alla preghiera dei monaci antoniani e dei tanti malati (soprattutto quelli sofferenti del "Fuoco di Sant'Antonio") che venivano pietosamente accolti nel monastero.