Maarten van Heemskerck | Mannerist painter

Maarten van Heemskerck Self-portrait in Rome, 1553

Maarten van Heemskerck (born 1498, Heemskerck, Holland-died 1574, Haarlem), one of the leading Mannerist painters in 16th-century Holland working in the Italianate manner.
He spent a period (c. 1528) in the Haarlem studio of Jan van Scorel, then lately returned from Italy. Van Heemskerck’s earliest works—“Ecce Homo” (Musée des Beaux-Arts, Ghent) and “St. Luke Painting the Portrait of the Virgin” (Frans Halsmuseum, Haarlem), both dated 1532—while adhering closely to the Romanist style of Scorel, seek to outdo it by dramatic lighting and illusionistic effects of plasticity.

Maarten van Heemskerck | Portrait of Machtelt Suijs, c.1540-1545

Dutch Mannerist painter Maarten van Heemskerck (1498-1574) lived in Rome for four years (1532-36) and was deeply affected by the city's art and antiquities.
Here, the half-length, seated figure, the tense yet elegant hands, and even the grotesque classical mask reflect the impact of that experience, while the love of meticulously represented textures is traditionally associated with northern European art.

Agnolo Bronzino | Descent of Christ into Limbo, 1552

Agnolo Bronzino of Florence, Italy, known as Il Bronzino, was a Mannerist painter.

Mixing styles of the late High Renaissance into the early Baroque period, Mannerists often depicted their subjects in unnatural forms.

Bronzino’s works have been described as “icy” portraits that put an abyss between the subject and the viewer.

Salvator Rosa | Allegory of Fortune, 1659

Salvator Rosa (1615-1673) was one of the least conventional artists of 17th-century Italy, and was adopted as a hero by painters of the Romantic movement in the later 18th and early 19th centuries. He was mainly a painter of landscapes, but the range of his subject matter was unusually wide and included portraits and allegories...
For biographical notes and works by Rosa, see Salvator Rosa | Baroque Era style.

Salvator Rosa | Baroque painter

Salvator Rosa (1615 - March 15, 1673) was an Italian Baroque painter, poet and printmaker, who was active in Naples, Rome and Florence.

As a painter, he is best known as "unorthodox and extravagant" as well as being a "perpetual rebel" and a proto-Romantic.

He was born in Arenella, at that time in the outskirts of Naples, on either June 20 or July 21, 1615.

Camille Przewodek | Plein Air / Colorist painter

Camille Przewodek was born in Detroit, Michigan. She grew up inspired by her artistically-talented brother to pursue a career in art. After graduating with a degree in painting from Wayne State University, she migrated to the West Coast.

A perennial student, she saw fit to expand her “left brain” education with several semesters of political science at City College of San Francisco.

Later on she decided she’d like to train as a commercial artist so she enrolled at the Academy of Art College, earning a BFA in Illustration. At this point she met her future husband, Dale Axelrod, who introduced her to master painter, teacher and colorist, Henry Hensche.

Laugé Achille | Neo-impressionist painter

French painter Achille Laugé (1861-1944) was an Neo-Impressionist painter born in Arzens.

In 1882, he began his studies at the École Nationale Supérieure des Beaux-Arts under the direction of French artists Alexandre Cabanel (1823-1889) and Jean-Paul Laurens (1838-1921).

In Paris, he met artist Aristide Maillol (French painter, 1861-1944), with whom he shared a studio and maintained a life-long exchange and friendship.

Daniele da Volterra | Descent from the Cross, 1545

Daniele Ricciarelli (c. 1509 - 4 April 1566), better known as Daniele da Volterra, was an Italian painter, Mannerist and sculptor.
Daniele's best-known painting is the Descent from the Cross in the Trinità dei Monti (circa 1545), after drawings by Michelangelo; by an excess of praise this work was at one time grouped with Raphael's Transfiguration and the Last Communion of St. Jerome by Domenichino as the most famous pictures in Rome.

Renato Natali | Post-Macchiaioli painter

Benato Natali (1883-1979) was born in Livorno-Italy, from a modest family, where perhaps the father, hatter by profession, led him to enroll at the School of Arts and Crafts. Not too temperamentally suited to the school system began to devote himself to drawing a self-taught, and even when one of his companions urged him to attend the study of Guglielmo Micheli little and did so against his will.