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Marc Chagall | The Tree of Life, 1963 | Stained glass

The Tree of Life or The Peace window - La Paix ou L’Arbre de vie - at the chapel of Cordeliers of Sarrebourg, a small town in the Vosges Mountains in France, is a stained-glass window about 15 feet (4,6 meters) wide and 12 feet (3,7 meters) high, contains several symbols of peace and love, such as the young child in the center, being kissed by an angelic face which emerges from a mass of flowers.
The Peace Window / Tree of Life is the largest stained-glass window made by Marc Chagall.
On the left, below and above, motherhood and the people who are struggling for peace are depicted.
Musical symbols in the panel evoke thoughts of Beethoven's Ninth Symphony, which was a favourite of Mr. Hammarskjöld's.


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Antonio Nunziante, 1956 | Il maestro della Metafisica

Il pittore Italiano Antonio Nunziante afferma che tra Surrealismo e Metafisica: "c’è una commistione.
Mediamente la metafisica mi da più apertura, nel senso che è una realtà possibile e più vicina a noi.
Il surrealismo invece è qualcosa di estremo, oltre una realtà.
Raramente vado oltre la realtà delle cose, infatti nel contesto della mia espressione apparentemente tutto sembra ben proporzionato e normale, ma non è proprio così".


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Scottish painter Jack Vettriano dies aged 73

Scottish painter Jack Vettriano, best known for his painting The Singing Butler, has died at the age of 73.
His publicist said the artist was found dead at his apartment in Nice, in the south of France, on Saturday, 1 March 2025.
It is understood there are no suspicious circumstances surrounding his death.


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Wisława Szymborska | Ritratto di Donna / Portrait of a Woman

Deve essere a scelta.
Cambiare, purché niente cambi.
È facile, impossibile, difficile, ne vale la pena.
Ha gli occhi, se occorre, ora azzurri, ora grigi,
neri, allegri, senza motivo pieni di lacrime.

Egon Schiele | Seated Woman with Bent Knees, 1917 | National Gallery of Prague

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Women Artists | Sitemap

"Someone, I say, will remember us in the future".
"Qualcuno, dico, si ricorderà di noi in futuro".

Saffo

The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s.
Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?" examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement.

Camille Claudel | L'âge mûr /L'Età matura, 1902

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Paul Emil Jacobs | Orientalist painter

Paul Emil Jacobs (1802-1866) was a German painter, noted for Orientalist themes, portraits and figures.
Jacobs, son of the philologist Frederick Jacobs, received his art training at the Munich Academy of Fine Arts and first became known for his painting of Mercury and Argus (from Classical mythology).
In 1824 he went to Rome, where he attracted critical attention by painting "The Raising of Lazarus".
In 1836 he made a series of historical paintings at the Welfenschloss in Hannover.


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Jehan-Georges Vibert | Academic painter

Jehan Georges Vibert or Jean Georges Vibert (1840-1902) was a French academic painter.
He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert.
He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet.
Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen.


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Louis Béroud (1852-1930)

Louis Béroud (1852-1930) was a French painter, a student of Léon Bonnat, renowned for his detailed and realistic works, often depicting interior scenes of famous museums, including the Louvre.
Some of his paintings are visible at the Musée Carnavalet and The Louvre in Paris.
He was awarded the medal of honour at the Salon in 1882 and won the bronze medal at the Universal.