Francois Fressinier, 1968 | Figurative painter

Born in Cognac, France to scholarly portrait photographer parents with an affinity for aesthetics, it was fitting that modern figurative artist, François Fressinier, would develop a unique, enchanting style.

His father's admiration for the works of the Old Masters and his exposure to some of the world's most historic places, along with France's Gallo-Roman ruins and Gothic churches inclined François to explore and create figurative, symbolic artwork.

In addition, his education at the Ecole Brassart in Tours afforded him the opportunity to study the drawings and paintings of old and new masters.

Eberhard Keil | Pupil of Rembrandt

Eberhard Keil or Keyl dit Monsù Bernardo (1624-1687) was a Danish Baroque painter who became a pupil of Rembrandt.

Keil was born in Helsingør.

According to the RKD he was a pupil of the Danish painter Morten Steenwinkel, who became a pupil of Rembrandt in Amsterdam in the years 1642-1644.

Guy Hoff (1889-1962)

Born in Rochester, New York and trained at the Art School of the Albright Gallery in Buffalo and the Art Students League in New York City, Guy Hoff (1889-1962) is known for his cover pages for The Saturday Evening Post, McCall's and Ladies Home, among others, which often star young, beautiful women.

Guy Hoff is among the American painters who also used their talent to design illustrations for books, magazines and newspapers during the so-called 'Golden Age of American Illustration'.

Konstantin Razumov, 1974 | Children's world

Konstantín Rázumov (Константин Разумов) is a Russian painter with a realistic-impressionistic tendency.

He began his studies in art and painting in the studio Ilyá Glazunov at the Academy of Fine Arts in Moscow.

Razúmov is faithful to early Impressionism; however, he adds some modern touches, which are most evident in his beautiful, charming, soft and sensual figures.

Giovanni Boldini | Treccia bionda / Blonde Braid, 1891

Giovanni Boldini | Blond Braid, 1891

Based on its messy and impulsive pictorial style, "Treccia bionda" is generally dated to the beginning of the 1890s, by which point Giovanni Boldini (1842 -1931) had already moved to Paris.

In addition to serving as an example of Impressionist painting from that time, the faintness of the strokes showcases an in-depth knowledge of Frans Hals' chiaroscuro technique; it seems that Boldini may have become close with him during a trip to Amsterdam in 1876.

Unlike many of the artist's female portraits, in which the entire figure functions as a means of showcasing all the details of the protagonists' elegant and elaborate dresses, this painting limits the appearance of the figure to the bust.

Giovanni Boldini | Treccia bionda, 1891 (detail) | GAM - Galleria d'Arte Moderna di Milano

Frida Kahlo to Diego Rivera | My night / La mia notte, 1939

Lettera di Frida Kahlo Diego Rivera,
Città del Messico, 12 settembre 1939
Mai spedita!

La mia notte mi strema.

Sa bene che mi manchi e tutta la sua oscurità non basta a nascondere quest’evidenza che brilla come una lama nel buio, la mia notte vorrebbe avere ali per volare fino a te, avvolgerti nel sonno e ricondurti a me.

Nel sonno mi sentiresti vicina e senza risvegliarti le tue braccia mi stringerebbero.

La mia notte non porta consiglio.

La mia notte pensa a te, come un sogno a occhi aperti.

La mia notte si intristisce e si perde.

Giulio Da Vicchio | Post Macchiaioli painter

Giulio Rontini Da Vicchio (Vicchio di Mugello, 1925 - Livorno, 2004) was a renowned painter who mainly exhibited in Italy but also in Paris and Toronto.

He was the last representative of the Post-Macchiaioli painters.

He was considered the greatest representative of the Livorno painting of the late twentieth century.

Giulio Rontini was the son of the painter Ferruccio Rontini (1893-1964) and takes the stage name Da Vicchio to distinguish himself from his father.

Skagen painters | Art History and Sitemap

The Skagen Painters (Danish: Skagensmalerne) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century.

Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists - though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school.

They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris.

Peder Severin Krøyer | Summer Evening at Skagen Beach - The Artist and his Wife, 1899 | Hirschsprung Collection