Great paintings from the Clark Art Institute

Adrien Moreau | Contemplation, 1873

The solitary woman in Moreau's painting gazes down toward a duck pond.

Her contemplative expression -and the painting's title- suggest that she has chosen this isolated spot to be alone with her thoughts.

The woman's fashionable city clothes have been painted with a degree of detail that contrasts with the more textured brushstrokes used to describe the surrounding landscape. | Source: © Clark Art Institute

Adrien Moreau (French, 1843-1906) | Contemplation, 1873 | Clark Art Institute

Maria Martinetti | Orientalist painter

Maria Martinetti (1864-1921) was an Italian painter. She was a student of Gustavo Simoni.

She lived and exhibited in Italy and France.

In 1890 she moved to the United States.

She is known for her genre paintings.

Claude Monet | Woman in the Garden, Sainte-Adresse, 1867

This is a very early Impressionist work by the group's leader, Claude Monet.

The sunlight which floods the paintings of the Impressionists - who did most of their painting out of doors, directly from nature - here plays the central role.

Monet spent his childhood in Le Havre, which he periodically visited.

The Le Coteaux estate at Sainte-Adresse near Le Havre belonged to Monet's cousin, Paul-Eugene Lecadre.

Settling here in the summer of 1867, the artist painted several landscapes in the garden of the estate, of which "Woman in the Garden" is of central importance.

Claude Monet (1840-1926) | Woman in the Garden, Sainte-Adresse France, 1867 | Source: © State Hermitage Museum

Edmé Bouchardon | Cupid cutting his bow from the club of Hercules, 1750

Cupid cutting his bow from the club of Hercules (L'Amour se taillant un arc dans la massue d'Hercule) is a marble statue created by the sculptor Edmé Bouchardon (French sculptor, 1698-1762 in 1750 and currently preserved at the Musée du Louvre.

Born at Chaumont, Edmé Bouchardon became the pupil of Guillaume Coustou and gained the Prix de Rome in 1722.

Resisting the barocchetto tendency of the day he was classic in his taste, pure and chaste, always correct, charming and distinguished, a great stickler for all the finish that sandpaper could give.

Edmé Bouchardon | Cupid cutting his bow from the club of Hercules, 1750 (detail) | Musée du Louvre

10 Masterpieces of the Musée d’Orsay

Pierre-Auguste Renoir | Bal du moulin de la Galette, 1876

This painting is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877.

Though some of his friends appear in the picture, Renoir's main aim was to convey the vivacious and joyful atmosphere of this popular dance garden on the Butte Montmartre.

The study of the moving crowd, bathed in natural and artificial light, is handled using vibrant, brightly coloured brushstrokes.

The somewhat blurred impression of the scene prompted negative reactions from contemporary critics.

This portrayal of popular Parisian life, with its innovative style and imposing format, a sign of Renoir's artistic ambition, is one of the masterpieces of early Impressionism. | © Musée d'Orsay, Paris

Pierre-Auguste Renoir (French, 1841-1919) | Bal du moulin de la Galette, 1876 | Musée d'Orsay, Paris

Rogier van der Weyden | Saint Luke Drawing the Virgin, 1435-40

Saint Luke Drawing the Virgin is a large oil and tempera on oak panel painting, usually dated between 1435-1440, attributed to the Early Netherlandish painter Rogier van der Weyden (1399/1400 - 1464).

The painting is in the collection of the Museum of Fine Arts, Boston.

According to tradition, Saint Luke created the first portraits of the Virgin Mary and the infant Jesus from life, making him the patron saint of painters.

Here, in one of the most important Renaissance paintings in North America, Rogier van der Weyden introduces an unprecedented sense of naturalism, grounding a sacred episode in everyday experience.

5 Masterpieces at the Uffizi Gallery

The Uffizi Gallery entirely occupies the first and second floors of the large building constructed between 1560-1580 and designed by Giorgio Vasari.

It is famous worldwide for its outstanding collections of ancient sculptures and paintings (from the Middle Ages to the Modern period).

The collections of paintings from the 14th-century and Renaissance period include some absolute masterpieces: Giotto, Simone Martini, Piero della Francesca, Beato Angelico, Filippo Lippi, Botticelli, Mantegna, Correggio, Leonardo, Raffaello, Michelangelo and Caravaggio, in addition to many precious works by European painters (mainly German, Dutch and Flemish).

Moreover, the Gallery boasts an invaluable collection of ancient statues and busts from the Medici family, which adorns the corridors and consists of ancient Roman copies of lost Greek sculptures.

Johan Zoffany (1733-1810) | Tribuna of the Uffizi, 1772-1777 | Royal Collection (UK)

5 Masterpieces of The Metropolitan Museum of Art

The Metropolitan Museum of Art presents over 5,000 years of art from around the world for everyone to experience and enjoy.

The Museum lives in two iconic sites in New York City - The Met Fifth Avenue and The Met Cloisters.

Millions of people also take part in The Met experience online.

Since its founding in 1870, The Met has always aspired to be more than a treasury of rare and beautiful objects.

Every day, art comes alive in the Museum's galleries and through its exhibitions and events, revealing new ideas and unexpected connections across time and across cultures.

Guido Reni | The Immaculate Conception, 1627

Guido Reni (Bologna, 1575-1642), during his lifetime the most celebrated living painter in Italy, was famous for the elegance of his compositions and the beauty and grace of his heads, earning him the epithet "Divine".

This altarpiece, with its otherworldly space shaped by clouds and putti in a high-keyed palette, was commissioned in about 1627 by the Spanish ambassador in Rome for the infanta of Spain.

It later hung in the cathedral of Seville, where it deeply influenced Spanish painters, especially Bartolomé Estebán Murillo, whose workshop produced many iterations of this subject.

The Immaculate Conception became a symbol of the universality of the Catholic Church and was used for the conversion of populations across Spain’s global empire. | Source: © Metropolitan Museum of Art

Guido Reni (Italian, 1575-1642) | The Immaculate Conception, 1627 | Metropolitan Museum of Art