Akira Kusaka | Fly Me To the Moon

Akira Kusaka 日下 明 is a freelance illustrator and graphic designer based in Osaka, Japan.

Akira Kusaka only works with Photoshop where he creates all of his artwork.

He creates for advertisements, book covers, children's picture book, web design, and more.

His all works are drawn only with photoshop.

L'amore ai tempi della Belle Èpoque | Sibilla Aleramo e Lina Poletti

Sibilla Aleramo, pseudonimo di Marta Felicina Faccio detta "Rina" (1876-1960), è stata una scrittrice, poetessa e giornalista Italiana.

È ricordata per il suo romanzo autobiografico "Una donna" (1901-1904) in cui dipinse la condizione femminile in Italia a cavallo fra il XIX ed il XX secolo.

Si tratta infatti di uno dei primi libri femministi apparsi in Italia.

Tamara de Lempicka | Les jeunes filles, 1930

Antonio Mancini | Carminella, 1870

Nato a Roma da una famiglia di umili origini proveniente da Narni, Antonio Mancini (Roma, 1852-1930) cresce nel paese umbro e vi trascorre la sua infanzia ricevendo la sua prima formazione presso gli scolopi della chiesa di S. Agostino.

Probabilmente per assecondare il suo precoce talento e avviarlo a buoni studi artistici, la famiglia si trasferisce da Narni a Napoli nel 1865.

Qui frequenta la scuola dell'oratorio dei gerolomini e la scuola serale presso la chiesa di S. Domenico Maggiore, dove incontra il coetaneo Vincenzo Gemito con cui, nello stesso anno, inizia a frequentare lo studio dello scultore Stanislao Lista.

Antonio Mancini | Carminella, 1870 | Galleria Nazionale d'Arte Moderna e Contemporanea, Roma

Kazuhiko Fukuōji, 1955

Born in Mitaka City, Tokyo, Japanese artist Kazuhiko Fukuōji (福王寺一彦) as the second son of the painter Horin Fukuoji (1920-2012).

After graduating from Seijo Gakuen High School in 1974, he was selected for the first time at the institute exhibition in 1978, and won the Nihon Bijutsuin Award and Grand Prize at the institute exhibition in 1987 and 1988.

In 1992, his institute exhibition work was purchased by the Agency for Cultural Affairs.

Michael Steirnagle | Abstract Impressionist painter

Moving between left and right brain (form and content), Michael finds pleasure in both worlds.

Usually utilizing the figure as his subject, Michael seeks to find a comfortable balance between these two opposing forces, unconsciously letting life events and emotions affect the end result.

He finds the painting experience to be a total immersion in a sea of lush paint and color which, hopefully, evolve into a pleasurable and meaningful experience for the viewer.

Michael divides his time between his studio in Southern California and Costa Rica where he has a second home.

Dom Lay, 1994 | Conceptual artist

Dom Lay was born and raised in Fountain Valley, California and later moved to Irvine, California in the summer of 2000.

Growing up in a suburban environment as an only child, Dom has incorporated his influences and inspirations from movies, television, and entertainment media throughout his life, into his works today.

His passion for illustration, concept art, and storytelling landed him freelance experience while studying, both in community and private college.

William Bouguereau | La magliaia, 1873

Subito dopo che Adolphe William Bouguereau (1825-1905) completò Tricoteuse, nel 1874, Goupil trasferì il dipinto nella loro galleria all'Aia e lo vendette alla famiglia Poortman.

Il Tricoteuse è rimasto nei Paesi Bassi da allora e con la stessa famiglia per quasi un secolo.

Senza dubbio con l'aiuto del suo potente commerciante, Goupil, Bouguereau era stato acquisito da molti collezionisti nei Paesi Bassi in quel momento.

Il Tricoteuse avrebbe sicuramente contribuito alla reputazione di Bouguereau ai massimi livelli della società olandese.

L'immagine di una contadina in costume italiano, è uno dei primi esempi sul tema della maglieria, a cui ritorna per tutta la sua carriera.

Claude Monet | Le Déjeuner sur l'herbe, 1865-1866

From: Musée d’Orsay, Paris

This fragment, there is a second also in the Musée d'Orsay, is one of the remaining parts of the monumental Luncheon on the Grass by Monet.

The work was started in the spring of 1865 and measured over four metres by six.

It was intended to be both a tribute and a challenge to Manet whose painting of the same title had been the subject of much sarcasm from the public as well as the critics when it was exhibited in the Salon des Refusés in 1863.

But the project was abandoned in 1866, just before the Salon where Monet intended to show it, opened.