Textual description of firstImageUrl

Ugo Celada | Magic Realism painter

Italian painter Ugo Celada da Virgilio (1895-1995) represented a real point of conjunction between Metaphysics, Magic Realism, New Objectivity and Novecento.
Ugo Celada was born in Mantua, in Cerese.
As a child he drew so well that he managed to convince his father to enrol him, at the age of only twelve, at the Royal School of Applied Art in Mantua, from which he passed, thanks to a scholarship, to the Brera Academy, where he particularly appreciated the lessons of the painter Cesare Tallone, the author of portraits painted with refined brushwork and of a remarkable expressiveness.


Textual description of firstImageUrl

Adolfo Feragutti Visconti | Verist painter

Adolfo Feragutti Visconti (1850 in Pura, Canton Ticino - 1924 in Milan) was an Italian / Swiss painter, of eclectic styles and subjects, including orientalist themes, genre works and landscapes.
Orphan of father by the age of 16, Fergutti Visconti enrolled at the Brera Academy of Fine Arts when he was 18, where he studied with Luigi Bisi, and made his debut in 1873 as a perspective painter.
Attracted by the work of the Milanese Scapigliatura movement, he was one of the first members of the Famiglia Artistica.


Textual description of firstImageUrl

Gustave Caillebotte | Dahlias, Garden at Petit Gennevilliers, 1893

A leader of the impressionist movement - a central exhibitor and organizing force for several of their exhibitions between 1876 and 1882 - Gustave Caillebotte was also an avid gardener.
Like his close friend Claude Monet, with whom he shared gardening expertise and exchanged tips, he created lush, vibrantly colored landscapes and translated them into paint on canvas.
This marvelous addition to the Gallery's singular impressionist collection celebrates his prized dahlias exploding in the foreground in front of his greenhouse and home.


Textual description of firstImageUrl

Claude Monet and the Sea

Claude Monet | The Jetty a Le Havre, 1868

Claude Monet | The Manneporte (Étretat), 1883 | Metropolitan Museum of Art

Monet spent most of February 1883 at Étretat, a fishing village and resort on the Normandy coast.
He painted twenty views of the beach and the three extraordinary rock formations in the area: the Porte d'Aval, the Porte d'Amont, and the Manneporte.

Textual description of firstImageUrl

Edvard Grieg: "Artists like Bach and Beethoven erected churches and temples on the heights.."

"Artists like Bach and Beethoven erected churches and temples on the heights. I only wanted… to build dwellings for men in which they might feel happy and at home".
"Artisti come Bach e Beethoven eressero cattedrali e templi sulle vette. Io ho voluto, come dice Ibsen in un suo dramma, "costruire dimore per gli uomini, dimore in cui essi possano sentirsi felici ed a proprio agio". In altre parole, ho trascritto la musica folcloristica della mia patria, ho cercato di ricavare un'arte nazionale da queste manifestazioni sinora non sfruttate dell'anima norvegese".

Auguste Rodin | Les Mains enlacees | Musée Rodin

Textual description of firstImageUrl

Władysław Ślewiński | Post-impressionist painter

Władysław Ślewiński (1856, in Nowy Białynin - 1918, in Paris) was a Polish painter.
He was one of Gauguin's students and a leading artist of the Young Poland movement (a modernist period in Polish visual arts, literature and music, covering roughly the years between 1890 and 1918. It was a result of strong aesthetic opposition to the earlier ideas of Positivism. Young Poland promoted trends of decadence, neo-romanticism, symbolism, impressionism and art nouveau).

Biography

He was born to a landowning family and his mother died in childbirth.
His cousin, the painter Józef Chełmoński, noticed his artistic talent and advised his father to enroll him at the drawing school operated by Wojciech Gerson.
His father resisted at first, but finally agreed.


Textual description of firstImageUrl

Aleksander Gierymski | Impressionist painter

Ignacy Aleksander Gierymski (1850, Warsaw - 1901, Rome) was a Polish painter of the late 19th century, the younger brother of Maksymilian Gierymski.
He was a representative of Realism as well as an important precursor of Impressionism in Poland.
Aleksander Gierymski completed Secondary State School nr III in Warsaw in 1867, and in the same year commenced drawing studies in Warsaw.
Between 1868-1872 he studied at the Academy of Fine Arts in Munich and graduated with a gold medal.
He received a commendation for his diploma work The Merchant of Venice.


Textual description of firstImageUrl

Władysław Podkowiński | Impressionist painter


Władysław Podkowiński (1866-1895) was a Polish master painter and illustrator associated with the Young Poland movement during the Partition period (The Partitions of Poland were three partitions of the Polish–Lithuanian Commonwealth that took place toward the end of the 18th century and ended the existence of the state, resulting in the elimination of sovereign Poland and Lithuania for 123 years.)
Podkowiński was born in Warsaw and began his artistic training at Wojciech Gerson's drawing school.
He then transferred to the Warsaw Academy of Fine Arts where he studied between 1880 and 1884.
After graduating, Podkowinski began to contribute to many of the leading art journals in Warsaw at the time.