Maurice Ravel: "The only love affair I have ever had was with music!"

• "Dobbiamo sempre ricordare che la sensibilità e l'emozione costituiscono il vero contenuto di un'opera d'arte".

• "Music, I feel, must be emotional first and intellectual second".

• "We should always remember that sensitiveness and emotion constitute the real content of a work of art".

Henri de Toulouse-Lautrec | Spanish Dancer | Van Gogh Museum, Amsterdam

René Magritte | The “Renoir” period, 1940-1947

- "For the period I call 'Surrealism in full sunlight', I am trying to join together two mutually exclusive things: one, a feeling of levity, intoxication, happiness, which depends on a certain mood and on an atmosphere that certain Impressionists, or rather, Impressionism in general, have managed to render in painting.

Without Impressionism, I do not believe we would know this feeling of real objects perceived through colours and nuances, and free of all classical reminiscences... and, two, a feeling of the mysterious quality of objects" - René Magritte.

Jacques-Émile Blanche | Portrait painter

Jacques-Émile Blanche (1861-1942) was a French painter and writer.

His father, a fashionable nerve specialist, owned a clinic where many of Blanche's sitters had been patients.

As a painter he had both talent and charm, and he enjoyed a great vogue in his day.

His work lacks originality and was much influenced by such contemporaries as James Tissot and John Singer Sargent.

The loose brushwork and subdued colouring of his portraits are also reminiscent of Edouard Manet and English 18th-century artists, especially Thomas Gainsborough.

Jean-Etienne Liotard | Orientalist Pastel painter

Jean Etienne Liotard | Woman in Turkish Dress, Seated on a Sofa, 1752 | The Metropolitan Museum of Art

Jean-Etienne Liotard was a widely traveled artist whose French Huguenot family had settled in Geneva, where he was born, owing to the passage of the Edict of Nantes.

From 1738 to 1742 he lived in Istanbul (Constantinople) and thereafter painted genre scenes of non-Muslim women in Turkish costume, such as this one, which were greatly admired throughout western Europe.

In pastel, his technique is colorful and exceptionally smooth and flawless.

Jean Etienne Liotard | Woman in Turkish Dress, seated on a Sofa, 1752 (pastel over red chalk underdrawing on parchment) | The Metropolitan Museum of Art

Rachel Ruysch | Baroque painter

Rachel Ruysch (1664-1750), who has been called the "most celebrated Dutch woman artist of the 17th and 18th centuries", was successful for nearly 70 years as a specialist in flower paintings.

Born in The Hague, Ruysch moved to Amsterdam with her family when she was three.

Her maternal grandfather, Pieter Post, was an important architect and her father, Frederik Ruysch, an eminent scientist from whom she learned how to observe and record nature with great accuracy.

Matthias Stom | Baroque painter

Matthias Stom or Matthias Stomer (1600-1652) was a Dutch, or possibly Flemish, painter who is only known for the works he produced during his residence in Italy.

He was influenced by the work of non-Italian followers of Caravaggio in Italy, in particular his Dutch followers often referred to as the Utrecht Caravaggists, as well as by Jusepe de Ribera and Peter Paul Rubens.

The Ladies of the Baroque | Part 1

As in the Renaissance Period, many women among the Baroque artists came from artist families. Artemisia Gentileschi is an example of this.

She was trained by her father, Orazio Gentileschi, and she worked alongside him on many of his commissions.

Luisa Roldán was trained in her father's (Pedro Roldán) sculpture workshop.

Artemisia Gentileschi | Judith and her maid with the head of Holofernes, 1613 | Gallerie degli Uffizi, Firenze.

Michaelina Wautier | Baroque painter

Michaelina Wautier, also Woutiers (1604-1689), was a painter from the Southern Netherlands.

Only since the turn of the 21st century has her work been recognized as that of an outstanding female Baroque artist, her works having been previously attributed to male artists, especially her brother Charles.

Wautier was noted for the variety of subjects and genres that she worked in.

This was unusual for female artists of the time who were more often restricted to smaller paintings, generally portraits or still-lifes.