Giuseppe Amisani | Belle Époque painter

Italian portrait painter of the Belle Époque Giuseppe Amisani (1881-1941) was an important figure in his lifetime, though almost entirely forgotten today - his name is not included in the principal works of reference in the twenty-first century.

He was a close contemporary of Umberto Boccioni and of Pablo Picasso, but completely ignored currents such as Futurism and Cubism which changed the face of fine art in the twentieth century, preferring to satisfy the tastes of his clients, who were the noble, rich and the famous of his time.

His reputation was for elegance and for the fresh colours of his palette.

A retrospective exhibition of his work at the Castello Sforzesco of Vigevano in the province of Pavia in 2008 was the first dedicated to him in fifty years.

Robert Armetta | Classical realist painter

Armetta has studied extensively throughout the United States and Europe, at schools including Columbus College of Art and Design, the Pennsylvania Academy of Fine Art, Barnstone Studios, Atelier Lack, the Florence Academy of Art, the New York Academy of Art 1998 the Water Street Atelier.

He has exhibited widely, in both solo and group exhibitions, across the United States, at venues including the National Academy of Design, the Fort Wayne Museum of Art, the Susquehanna Museum of Art, Sotheby’s, the State University of New York at Farmingdale, St. John’s University, Messiah College, Arcadia Fine Art, John Pence Gallery, Century Gallery, and Seraphin Gallery.

La Belle Époque

La Belle Époque is a period of French and European history, usually considered to begin around 1871-1880 and to end with the outbreak of World War I in 1914.

Occurring during the era of the Third French Republic, it was a period characterised by optimism, regional peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations.

In this era of France's cultural and artistic climate (particularly within Paris), the arts markedly flourished, with numerous masterpieces of literature, music, theatre, and visual art gaining extensive recognition.

Jean Béraud | Seaside Café, 1884 | The Clark Art Institute

Jean-Joseph Benjamin-Constant | Orientalist painter

Biography from: Christie's

Born in Paris into a Languedoc family, Jean Joseph Benjamin Constant (1845-1902) trained in Toulouse at the local Academie before moving to Paris in 1866.

He enrolled in the École des Beaux-Arts and completed his training under the academic master Alexandre Cabanel.

His studies were interrupted by the Franco-Prussian War and the young artist never resumed his formal training.

Instead, in the early 1870s he travelled to Spain, and fell under the spell of the Mudejar architecture of Andalucia.

Fanny Fleury | Academic painter

Fanny Laurent Fleury, known as Madame Fanny (1846-1923) was a French painter.

Fleury was born in Paris, France, and trained with Emile Auguste Carolus-Duran, Marie Durand and Jean-Jacques Henner.

She developed a reputation as a talented portraitist and painter of figure studies.

She also painted genre scenes and still life, which she exhibited at the Salons of Saint-Etienne and Dijon.

Jean-Jacques Henner | Academic painter

Jean-Jacques Henner (5 March 1829 - 23 July 1905) was a French painter, noted for his use of sfumato and chiaroscuro in painting figures, religious subjects and portraits.

Henner was born at Bernwiller (Alsace). He began his studies in art as a pupil of Michel Martin Drolling and François-Édouard Picot.

In 1848, he entered the École des Beaux Arts in Paris, and took the Prix de Rome with a painting of Adam and Eve finding the Body of Abel in 1858.

In Rome, he was guided by Flandrin, and painted four pictures for the gallery at Colmar among other works.

Juana Romani | Belle Époque painter

Biography from: Sotheby's

Born in Velletri, Italy, Joana Carolina Carlessimo, called Juana Romani, moved with her family as a young girl to Paris, where she first encountered painting as an art school model.

At age nineteen, Romani began her training as the pupil of Jean-Jacques Henner before becoming a student of Ferdinand Roybet, and later, his mistress.

Like Roybet, she chose historical subjects and painted many portraits of young, mysterious women in costume.

Ottilie Roederstein | Portrait painter

Ottilie Wilhelmine Roederstein (22 April 1859 - 26 November 1937) was a German-Swiss painter.

She was the long-time companion of Elisabeth Winterhalter, one of the first female doctors in Germany.

Roederstein was born in Zürich, Switzerland.