Emma Sandys | Pre-Raphaelite painter

Emma Sandys (born Mary Ann Emma Sands) (1843-1877) was a 19th-century British Pre-Raphaelite painter.

Emma Sandys was born in Norwich, where her father, Anthony Sands (1806-1883), gave her some early art lessons.

In 1853 the family added a ‘y’ to their surname.

Leonardo Bazzaro | Pittore naturalista

Considerato uno dei principali esponenti del naturalismo lombardo, al pari di Eugenio Gignous e Filippo Carcano, la produzione artistica di Leonardo Bazzaro (1853-1937) è maggiormente concentrata su soggetti paesaggistici dove viene esaltata la rappresentazione del quotidiano familiare.

Nei primi anni di attività, Bazzaro si orienta su vedute prospettiche di interni di chiese e di noti palazzi milanesi, con un'impronta verista di matrice sei-settecentesca derivata dal maestro Giuseppe Bertini: gli ex compagni di Brera gli attribuiscono il soprannome piccolo Velasquez, ad attestare la forte intensità espressiva raggiunta in queste prima fase.

Thomas Benton | Regionalist painter

From: National Gallery, Washington D.C.

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Named after his great-uncle, a five-term senator, Thomas Hart Benton (1889-1975) was born on April 15, 1889, in Neosho, Missouri.

His father, Maecenus Eason Benton, was a lawyer and a United States representative from 1896-1904, so the young Benton spent his early years in both Washington, DC, and southwest Missouri.

Benton dropped out of high school at 17 and started working as a cartoonist for the Joplin American newspaper.

His mother, Elizabeth Wise Benton, was supportive of his artistic ambitions, but Benton’s father enrolled him in the Western Military Academy in Alton, Illinois, in 1906 before agreeing to allow him to attend the Art Institute of Chicago in 1907.

The Amsterdamse Joffers / Le Signore dell'Post-impressionismo Olandese

The Amsterdamse Joffers were a group of women artists who met weekly in Amsterdam at the end of the 19th and beginning of the 20th century.

They supported each other in their professional careers.

Most of them were students of the Rijksakademie van beeldende kunsten and belonged to the movement of the Amsterdam Impressionists.

Each one became a successful artist.

Thérèse Schwartze (1851-1918)

Henri Houben | Genre painter

Henri Houben (Antwerp, 1858-1931) was a Belgian genre painter.

He originally studied to be a violinist, but his interest in painting took the upper hand, so he enrolled at the Royal Academy of Fine Arts (Antwerp), where he studied under Charles Verlat.

He later assisted Verlat with his panoramic paintings ("March of the Russian Army" and "The Battle of Waterloo") and executed decorative paintings from designs by Albrecht De Vriendt in the Antwerp City Hall.

Mark Grantham, 1966 | Abstract painter

Mark Grantham was born in Halifax, Nova Scotia, where he continues to reside.

He has been painting full-time since 1996.

He grew up on Leeds Street in the city's north end, and completed his first oil on canvas at age 11.

After receiving Bachelor of Arts and Bachelor of Education degrees from Dalhousie University, Grantham went on to study architecture at the Technical University of Nova Scotia, from where he holds a Bachelor of Environmental Design Studies degree as well as a Masters degree in Architecture.

Nicolaas van der Waay | Genre painter

Nicolaas van der Waay (1855-1936) was a Dutch decorative artist, watercolorist and lithographer.

He worked in many genres, including stamp, coin and banknote designs.

He is perhaps best known for the allegorical illustrations he created for the Golden Coach and a series of paintings depicting the lives of girls from the Amsterdam Orphanage.

His work was also part of the painting event in the art competition at the 1928 Summer Olympics.

Coba Ritsema | The Amsterdamse Joffers group

Jacoba Johanna (Coba) Ritsema (26 June 1876, Haarlem - 13 December 1961, Amsterdam), was a portrait painter from the Netherlands.

Together with eight other artist friends, she founded an artists' association, which was introduced by the art critic Albert Plasschaert as the Amsterdam Joffers. The group of female artists contributed significantly to the acceptance of women in art at that time.

Jacoba, or Coba, was born in 1876 as the daughter of the book printer Coenraad Ritsema and his wife Jeanette (Jannetje) Moulijn in an artistic family with one sister and two brothers.