Eva Bonnier (1857-1909)

Eva Fredrika Bonnier (1857-1909) was a Swedish painter and philanthropist.

Born in Stockholm as the daughter of publisher Albert Bonnier and a member of a leading family of publishers, Bonnier studied painting with August Malmström and became a student in the women's section of the Royal Swedish Academy of Arts in Stockholm in 1878.

Together with her friend and co-student Hanna Hirsch, she traveled to Paris in 1883, staying there until 1889.

John Donne | Il sogno / The Dream

Per nessun altro, amore, avrei spezzato

questo beato sogno.

Buon tema per la ragione,

troppo forte per la fantasia.

Sei stata saggia a svegliarmi. E tuttavia

tu non spezzi il mio sogno, lo prolunghi.

Tu così vera che pensarti basta

per fare veri i sogni e storia le favole.

Franz Xaver Winterhalter (1805-73) | Contemplation | Royal Collection

Pedro Salinas | Non rifiutare i sogni / Don’t reject dreams / No rechaces los sueños

Non rifiutare i sogni in quanto sogni.

Tutti i sogni possono

esser realtà, se il sogno non finisce.

La realtà è un sogno. Se sogniamo

che la pietra è la pietra, quello è la pietra.

A correre nei fiumi non è un’acqua,

ma è un sognare, l’acqua, cristallino.

Marc Chagall

Vincent van Gogh | Orchard in Blossom

Vincent van Gogh | Peach Trees in Blossom, April 1888 | Courtauld Gallery, London

This is van Gogh’s last view of a plain outside Arles that he often painted since settling in the south of France in 1888.

He wrote to the painter Paul Signac "everything is small there ... even the mountains, as in certain Japanese landscapes, which is the reason why the subject attracted me".

The snow-capped peak on the right (a deliberate echo of Mount Fuji in Japan) and blossoming trees create a peaceful atmosphere.

But the bent figure at left emphasises this is a man-made landscape. | © The Samuel Courtauld Trust, The Courtauld Gallery, London

Vincent van Gogh | Peach Trees in Blossom, April 1888 | Courtauld Gallery, London

Questa è l'ultima veduta di van Gogh di una pianura fuori Arles che dipinse spesso da quando si stabilì nel sud della Francia nel 1888.

Gotthardt Kuehl | Impressionist painter

Gotthardt Kuehl (28 November 1850 - 9 January 1915) was a German painter and a representative of early German Impressionism. He gained wide international recognition during his lifetime.

His father, Simon Kühl, was the Sexton and organist at St. Lorenz Church. He studied at the Dresden Academy of Fine Arts (1867) and the Academy of Fine Arts, Munich, (1870).

From 1878-1889, he lived in Paris. He also made study trips to Italy and the Netherlands.

In 1888, he married Henriette Simonson-Castelli (1860-1921), daughter of the portrait painter, David Simonson.

Wenzel Tornøe | Genre painter

Wenzel Ulrik Tornøe (1844-1907) was a Danish genre painter. Tornøe was the son of birch judge Jens Wenzel Tornøe (1792-1866) and Eleonore Jakobine - born Lacoppidan (1797-1872).

From 1861-65, he studied at the Art Academy and debuted in 1865 at Charlottenborg with Uffe the spages duel. 1865 came his A Poor Woman with her Child and Mignon and Harp Player, and since then he has been among the permanent exhibitors.

In 1871 he traveled to Rome, where he painted a quantity of genre pictures, for which he found many buyers so that he could extend his stay in the South over two years.

Pedro Salinas | Ciò che tu sei.. / Lo que eres.. / What you are..

Ciò che tu sei

mi distrae da ciò che tu dici.

Lanci parole veloci

inghirlandate di risa,

e m’inviti ad andare

dove mi vorranno condurre.

Fabian Perez

José Benlliure y Gil | Genre painter

From: Museo Carmen Thyssen Málaga

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José Benlliure was born in Cañamelar, a seaside village in Valencia, on 30 September 1855.

The son of a modest painter and decorator and brother of the sculptor Mariano Benlliure, he studied from a very early age at the San Carlos School of Fine Arts in Valencia and at the private studio of Francisco Domingo Marqués.

In 1872 he applied to the Diputación (provincial council) of Valencia for a travel grant.

Although his application was unsuccessful, he was awarded a sum of money that enabled him to make a study trip to Paris, where he came into contact with the art dealer Goupil. On returning to Valencia, he devoted himself to painting works for the National Exhibitions.