Joe Bowler (1928-2016)

Born in Forest Hills, New York in 1928, Joe began to draw when he was three. His first illustration for a national magazine was published by Cosmopolitan when he was nineteen.

While working as an apprentice at the prestigious Charles E. Cooper Studios, Inc. he had the opportunity to learn the craft from some of the finest artists in the profession.

At Cooper Studio, Joe was inspired by the illustrations he saw being done by the top artists in the field.

During the day Joe’s time was spent cleaning palettes and brushes, matting paintings and running errands.

James Nelson-Lewis, 1953

Before deciding to dedicate full time to painting, James Nelson Lewis has had years of professional experience as an illustrator, art director, designer, and University art instructor.

His painting is influenced by those experiences and time spent painting on location "en plein air".

The result is a sense of order, balanced by spontaneity and energetic palette knife and brushwork, direct and intuitive a poetic synthesis of simplification and expression.

Dora Wahlroos | En plein air painter

Anna Dorothée (Dora) Wahlroos (19 December 1870, Pori – 21 March 1947, Kauniainen) was a Finnish painter who participated in the painting movement en plein air towards the end of the 19th century.

Biography

She was born in Pori to province land surveyor Johan Henrik Wahlroos and Dorothée Augusta Henrietta Fehn.

She studied at the Turku Drawing School in 1886–1888 and under Victor Westerholm in 1889–1890. She was one of the artists who joined Westerholm in the artists colony at Önningeby on the island of Åland.

She was accepted to the Finnish Art Society in 1890–1891, where her class was taught by Gunnar Berndtson. In the Fall of 1890 she got engaged to sculptor Emil Wikström.

The two went to study together at Paris in 1891–1892.

Carlton Alfred Smith | Genre painter

Carlton Alfred Smith, RBA RI ROI (1853-1946) was a British watercolourist, oil painter and genre artist who often made images of cottage interiors showing domestic life and figures in cottage interiors in a romantic manner towards the end of the nineteenth century.

He was the son of a steel engraver and spent some of his early years being educated in France.

The artist also studied at the Slade School of Art, winning gold and silver medals.

He became one of the most technically accomplished watercolorists of the late Victorian period.

Der Blaue Reiter (The Blue Rider)

The Blue Rider was a German Expressionist movement that was established in December 1911 by Kandinsky, Franz Marc and Gabriele Münter.

Painters Kandinsky and Marc worked on an almanac in which they showed their artistic conceptions. The title of the almanac, which then became the name of the group, Der Blaue Reiter - The Blue Rider, came from the painting by Kandinsky.

His Blaue Reiter Blue Rider was an adventure in the simplification and stylization of forms and the connection between music and painting.

Wassily Kandinsky | The Blue Rider

Marianne Stokes (1855-1927) | Victorian painter

Marianne Stokes, born Marianne Preindlsberger, was an Austrian painter. She settled in England after her marriage to Adrian Scott Stokes (1854-1935), the landscape painter, whom she had met in Pont-Aven. Stokes was considered one of the leading women artists in Victorian England.

Biography

Preindlsberger was born in Graz, Styria. She first studied in Munich under Lindenschmit, and having been awarded a scholarship for her first picture, Muttergluck, she worked in France under Pascal Adolphe Jean Dagnan-Bouveret (1852–1929), Colin and Gustave Courtois (1853-1923).

Maurice Denis | Les Nabis Group

Even today Maurice Denis' (1870-1943) place in the history of art remains unspecified. Known as the "Nabi of the beautiful icons", he is celebrated alongside Vuillard and Bonnard as one of the most importan Nabi painters, a founder of the movement and its brilliant theoretician.

Everyone remembers his famous dictum of 1890 when he was twenty years old and unknown. "Remember that a painting – before being a battle horse, an anecdote of some sort is essentially a flat surface covered with colours, put together in a certain order".

Wassily Kandinsky | VII - Teoria della Pittura

Lo spirituale nell'arte, 1910

Seconda parte: La Pittura

Dalla natura della nostra armonia si deduce che oggi non si può costruire una teoria compiuta, creare un basso continuo in pittura. Questi tentativi condurrebbero in pratica allo stesso risultato dei cucchiaini di Leonardo, che citavamo prima. Ma sarebbe imprudente affermare che in pittura non esisteranno mai regole fisse, princìpi paragonabili al basso continuo, e che qualsiasi regola condurrebbe inevitabilmente all'accademismo.

Anche la musica ha una sua grammatica: una grammatica che si modifica nel tempo, come ogni cosa vivente, ma che è sempre stata utile, come una specie di vocabolario.

Wassily Kandinsky | Pond in the park