Rae Perry, 1989 | Figurative painter

"American artist🎨 originally from Dallas Texas, I now live and work in Dublin. I spent two years in Florence, Italy where I completed the drawing program at the Angel Academy of Art.

I am mainly self-taught when it comes to painting, and I primarily focus on still-life subject matter.

I eventually plan to incorporate the human figure in my paintings.

My influences range from the classic illustrators, to the Pre-Ralphelites and the great 19th century artists (Mucha, Waterhouse, Whistler, N.C.Wyeth and Chardin)".

Toshiyuki Enoki 榎俊幸, 1961 | Lacquer painter

Japanese artist🎨 Toshiyuki Enoki was born in Tokyo. Educated in several different genres of Lacquer painting, traditional Japanese painting and western painting, Toshiyuki Enoki's works are an amalgamation of the new and aged, reality and myth.

This artist strives to antiquate his works, not only in his thematic tribute to well known traditional artists such as Maruyama Oukyou also in his artist process.

Arkady Ostritsky / Аркадий Острицкий, 1948

Аркадий Острицкий was born in Kishinev, Moldova. He was recognized very early as gifted in drawing and painting and by the age of 20 was accepted in Moldova's most distinguished Art Academy - the Repin Art Academy.

He graduated with distinction, earned many awards, and became one of his country's most important painters.

He was chosen to paint numerous monumental works in public institutions, and created many large frescos. He also became a distinguished art teacher and many young artists came under his tutelage.

John George Brown | Genre painter

From Thyssen-Bornemisza National Museum:

John George Brown (November 11, 1831 – February 8, 1913), the son of an impoverished lawyer, was born near Durham, England.

At fourteen he began a seven-year apprenticeship as a glass-cutter in Newcastle-on-Tyne, studying at night from 1849-1852 with William Bell Scott at the School of Design.

From 1852-53 he worked at the Holyrood Glass Works, Edinburgh, studying evenings at the Trustees Academy with Robert Scott Lauder.

Niccolò Paganini: "La felicità non esiste ma la si canta!"

▻ "The violin is my mistress, but the guitar is my master".

▻ "Paganini non ripete!"

▻ "Paganini does not repeat!"

▻ "My secret, if I can call it secret, will indicate the violinists the way to penetrate the instrument much better than what has been done until now and it can demonstrate them, that violin is much more full of opportunities than what is commonly believed.

This discovery is not due to chance, but it is due to a deep study and applying it will no longer be necessary to practice four or five hours a day, it will remove the current scholar method, which studies to make the instrument difficult instead of teaching it".

Barney Seale | A head of Niccolo Paganini, 1782-1840

Meredith Marsone, 1977 | Abstracted Love

Meredith Marsone's (formerly Collins) paintings and drawings explore questions of heritage and identity.

At times there is a tension in her works that reference her Pakeha and Māori heritage, ta moko or floral designs delicately adorn faces of her subjects. Heritage as well as the continuity of one's lineage are depicted in Meredith's works which often feature her with her daughters.

Crystal Ardern, curator Waikato Museum, describes Meredith's work as "Striking, captivating, and beautiful paintings - yet hinting at something more, something uneasy even. She has explored intimate, sometimes painful issues through paint and canvas, but she has been able to veil her work enough so that she is not completely exposed".

William Logsdail | Genre painter

William Logsdail (1859-1944) was a prolific British landscape, portrait and genre painter of large scale metropolitan scenes, particularly London landmarks.

He exhibited at the Royal Academy, the Royal Society of British Artists, the Grosvenor Gallery, the New Gallery (London), and others.

He is notable for his realistic London and Venice scenes and his plein air style.

Daniel Maclise (1806-1870) | History painter

Daniel Maclise was born to a family of Scottish descent. After a brief period working in a bank, Maclise’s passion for drawing led him to pursue a career in art which he studied at the Cork Society of Arts.

His lifelong interest in antiquities began through his acquaintance with the antiquarian Richard Sainthill and folklorist Thomas Crofton Croker.

Maclise copied from their collections, and they secured commissions for the young artist from their circle of wealthy and influential friends.