George Tooker | Magic realism painter

George Clair Tooker, Jr., American painter (born Aug. 5, 1920, Brooklyn, N.Y. - died March 27, 2011, Hartland, Vt.), created luminous canvasses of social significance that echoed themes of love, death, grief, alienation, aging, isolation and faith.

Tooker’s egg-tempera paintings depicted eerie and haunting situations with mythic overtones. Some of his most chilling offerings include Children and Spastics (1946), sadists bullying three effeminate men; Subway (1950), harried commuters congregating with strangers; The Waiting Room (1957), seemingly catatonic patrons biding their time; and Landscape with Figures (1965-66), the heads of office workers bobbing above a maze of cubicles.

Edna St. Vincent Millay | Love is not blind / L'amore non è cieco

Vincent van Gogh🎨 | The starry night, 1888

Love is not blind. I see with single eye

Your ugliness and other women's grace.

I know the imperfection of your face, -

The eyes too wide apart, the brow too high

For beauty. Learned from earliest youth am I

In loveliness, and cannot so erase

Its letters from my mind, that I may trace

You faultless, I must love until I die.

David Martiashvili, 1978 | Naif painter

Artist at the third generation, David Martiashvili was born in in Tbilisi, Georgia.

He graduated from the "School of the Arts" for gifted children, then - Tbilisi Art Academy.

The artist works in the style of primitivism, with colorful Georgian overtones.

Aesthetics of the school creatively rethought their conscious and became motivated to find new means of expression.

Nancy Guzik, 1944 | Impressionist painter

American painter🎨 Nancy studied at The American Academy of Art in Chicago and The Lyme Academy of Fine Art in Old Lyme, Connecticut. However, it was her close association and ensuing relationship with Richard Schmid🎨, that brought her painting to its full potential. Nancy and Richard married in April of 1998.

Her art has been recognized with many awards🎨, including the 2007 Award of Excellence by the Women Artist of the West, Grand Prize from International Artist Magazine, three Gold Medals from the Palette and Chisel Academy, and First Prize from the Midwest Pastel Society.

Susan Ryder, 1944

British painter Susan Ryder began painting professionally at an early age. Encouraged by her father, Robert Ryder VC, an enthusiastic amateur painter who imbued his daughter with a similar passion, she entered the prestigious Byam Shaw School of Art.

There, her tutor, Bernard Dunstan, introduced her to the work of the post- Impressionist Edouard Vuillard, whose gentle scenes of intimate interiors, domestic spaces and gardens in soft blurred colours proved a significant influence on her painting style and choice of subject for the rest of her career.

Sue was only 18, and still a student, when she first exhibited at the Royal Academy. Shortly after, she married Martin Bates and spent the next decade juggling the demands of her career with that of her young family, painting both interiors and portraits.

Louis Icart | Art Déco painter

Louis Icart's nickname was Helli derived from his initials L.I. Louis Icart (1890-1950), was a French Art Deco painter and designer. Icart was born in 1890 in Toulouse and died in Paris in 1950. He became most well known as an artist in New York in the 1920's.

Icart made over 500 engravings and illustrated more than 30 books.

Life

Louis Justin Laurent Icart was the first son of Jean and Elisabeth Icart. He started drawing early on. His aunt, who was impressed by his talent during a visit, brought him to Paris in 1907, where he dedicated himself to painting, drawing and the production of numerous etchings.

In the studio, where he initially produced frivolous postcards with copies of existing images, he soon designed his own works. Thereupon he received orders for the design of title pages for the magazine La Critique Théâtrale. Fashion houses hired Icart to create fashion sketches, with which he soon became known.

Jose De la Barra, 1956 | Magic Realism painter

Jose De la Barra, Peruvian painter has created a dream-like world through his expressing the internal and external fantasies of his imagination with his precise talents in painting and drawing.

The expressions and the sensual movements that appear in each piece, create mystic allegories about the universe.

By combining his interest in the human form with his desire for symbolic content, he has engendered a language that explains the human condition through a unique perspective.

There is a method through with he develops his art replying on material and composition to develop his personal, magical universe.

Jean-Pierre Cassigneul, 1935 | Post-Impressionist painter

French painter Jean Pierre Cassigneul studied at the École des Beaux Arts in Paris and held his first one-man exhibition there at the age of 17.

Since then, his work has been exhibited extensively throughout Europe, Japan and the United States, including shows at the Galerie Tivey Faucon and Galerie Bellechase, Paris; Gallery Tamenaga, Japan and Wally Fihdlay Gallery, New York.