Angelo Morbelli's work, one of the masterpieces of the Burgundy Museum, was purchased in 1912 at the Art Exhibition of the irrigated countryside held in Vercelli, a few years after the Museum opened to the public.
The painting, signed and dated 1895, underwent a long and tormented elaboration, as evidenced by the correspondence between the artist and his colleague Giuseppe Pellizza da Volpedo: begun in 1893, it was resumed before being exhibited in 1895 at the Venice Biennale.
The canvas assumes an important role for the collection, not only for its belonging to the pictorial current of Divisionism, but above all for the subject strongly connected to the Vercelli area.