Nick Alm, 1985 | Figurative painter

Swedish painter Nick Alm started out as an illustrator in 1999, but changed course when he discovered the joy of painting. In 2007 he got accepted to the Florence Academy of Art🎨 to study the figure from life in the classical manner. Here he also became a teaching assistant.

After graduation Nick received a scholarship to join The Hudson River Fellowship to paint landscapes. During the stay he also explored the great art museums in New York City. A big part of 2011 was spent together with Odd Nerdrum🎨 in Norway and France before moving back to Sweden.

Giovanni Segantini | Divisionist painter

Giovanni Segantini (1858-1899) was an Italian painter known for his large pastoral landscapes of the Alps.

He was one of the most famous artists in Europe in the late 19th century, and his paintings were collected by major museums.

In later life he combined a Divisionist painting style with Symbolist images of nature.

He was active in Switzerland for most of his life.

Alesya von Meer, 1983

German painter Alesya von Meer was born in the city of Almaty. She graduated in 2005 in Odessa - architecture and business administration at the State Academy of Civil Engineering and Architecture.

The creations of the artist are constructed with colored pencil and gouache, and are often decorated with gold colors. In a fascinating miniature art she creates small areas and then combines them into one whole.

Luxuriant vines and flowers appear on the images, which often represent mystical beings in intoxicating sensuality and capture the attention of the audience quickly.

David Graeme Baker, 1968 | Figurative painter

David Graeme Baker was born in South Africa, the son of a surgeon and a very creative mother. Her talents as a crafter inspired in David the attitude that if one wants something, one can easily make it oneself.

In other words, he was raised in a house that valued attention to small details and excellent work. While it’s now easy to see this in his paintings, there were no distinct signs when David was young that he would grow up and be an artist.

As a child he doodled a lot, borrowed figure drawing books from the library, and loved his grade school art class however, his high school had no art program, so it took a while at university to come back around to art making.

Robert Henri: "Art cannot be separated from life"

"Art, when properly understood, is the province of every human being. It is simply a question of doing things, anything well".

"L'arte, se correttamente intesa, è la provincia di ogni essere umano. È semplicemente una questione di fare cose, tutte belle".

Vincent Xeus, 1981 | Figurative painter

Vincent Xeus is a torrential force on the international art scene that permeates and defines our contemporary culture. His relentless pursuit on re-evaluating and re-inventing fresh aesthetic visions is one of the most vital and remarkable characteristics of his creation.

Oscillating between figuration and abstraction, his work embraces, yet challenges the traditions of painting with an exploration of contemporary practices and observations. Xeus reminds the audience to continually adjust perceptions and to formulate new syntheses built upon the past.

Lilla Cabot Perry (1848-1933) | Impressionist painter

Lilla Cabot Perry, original name Lilla Cabot, American artist🎨 who emulated the innovations of French Impressionism in her own art.

She was also a major promoter of Impressionism in the United States.

Lilla Cabot was a descendant not only of the Boston Brahmin Cabot family but also of the equally distinguished Lowells.

Frits Thaulow | Pittore di Skagen

Frits Thaulow (1847-1906) è stato un pittore Impressionista Norvegese, noto soprattutto per le sue raffigurazioni naturalistiche del paesaggio.

Frits Thaulow fu tra i pittori più anziani del grande gruppo di artisti che affollò le gallerie norvegesi verso la fine dell'800, questo lo rese un pioniere ed una chiave importante per le generazioni successive alla sua.

Nacque a Christiania nel 1847 da una famiglia di farmacisti, agiati ed economicamente spensierati, tanto da permettergli di spostarsi subito ad una scuola prestigiosa a Copenaghen, dove rimase dal 1870-1872, per poi iscriversi successivamente al Baden School of Art di Karlsruhe.