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Claude Fossoux, 1946 | Impressionist painter


Claude Fossoux was born in Paris of a Savoyard father and a Parisian mother. After school, Claude obtained a grant to study at the Ecole Nationale Superieure Des Beaux Arts in Paris where he stayed for four years. During that time, he attended the studio of Chapelin-Midy and Pierre Caron. He was greatly influenced by the Impressionists🎨, particularly Sisley🎨, Pissarro🎨 and Renoir🎨.




But it was Claude Monet🎨 and Van Eyck, the Flemish painter of the Fifteenth century, who have most strongly influenced Claude Fossoux's pictorial personality.
His work is a subtle blending of the techinques and expressions of these two renowned masters.
he landscapes of Provence are one of his favorites with their bluish tints in the distance and their warm colors in the foreground; the little mass huddled behind the hills, the wide variety of vegetation. He also likes to paint cafe terraces, young girls wearing hats trimmed with flowers and ribbons, indoor scenes, children in gardens or public parks.
He loves to make portraits and catch the personality of models, and to compose still lives where he can work on the effects of different textures. Critics say that the light is alive in Claude Fossoux's paintings; it seems to come from the back of the canvas.
His palette of fresh and shimmering colors, spangled with light, produces a style of painting both vibrant and joyous. All of Claude Fossoux's works are luminous and spring-like.






















Claude Fossoux, nato a Parigi, è un pittore e litografo Francese🎨.
Dopo la scuola, Claude ottenne una borsa di studio per studiare all'Ecole Nationale Superieure Des Beaux Arts di Parigi, dove rimase per quattro anni.
Durante quel periodo, ha frequentato lo studio di Chapelin-Midy e Pierre Caron. Fu fortemente influenzato dagli impressionisti, in particolare Sisley🎨, Pissarro🎨 e Renoir🎨.
Claude Fossoux espone regolarmente le sue opere a Parigi e anche a New York e Chicago.


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Jules René Hervé (1887-1981) | Ballet Dancers


Jules-René Hervé🎨 was a painter of the scenes of the Parisian life.
Paris, seen by Hervé, is the city of poetry, the "city of lights" that he painted in the wake of the Impressionists.
Hervé, born in Langres on April 14, 1887.
For biographical notes -in english and italian- and other works by Hervé see:
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Jules Adler (1865-1952) | Naturalist painter


Jules Adler was a French painter🎨 of the second naturalist generation, named "le peintre des humbles" by Louis Vauxcelles, a painter of labour, strikes and working people.
Born in Luxeuil-les-Bains, France, Jules Adler studied under Bouguereau🎨.
His scenes and subjects typically reflected the life of everyday Parisians, and he rarely portrayed the bourgeoisie class.

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Eugène Bidau (1863-1909) | Still life painter


Eugène Bidau was a French painter, most notable for his still lifes. Bidau was born at La Roche-sur-Yon, Vendée in the Pays de la Loire region in western France.
He studied under Baptiste-Joseph Lechat and the portrait and genre artist Léon-Désiré Alexandre (1817-86), both of whom exhibited at the Salon des Artistes Français in Paris.
Bidau then made his own debut at the Salon in 1863 and continued to exhibit there for many years, showing for instance floral pieces in 1864 and 1865 and then a work titled Le panier renversé; Fleurs et fruits in 1867.

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Giovanni Migliara | Veduta painter


Giovanni Migliara (1785-1837) was a nobleman and Italian painter active at the beginning of the 19th century, painting vedute and history paintings.
Born to artisan parents of limited means, he was apprenticed to the sculptor Giuseppe Maria Bonzanigo.
He also studied at the Brera Academy with Giocondo Albertolli and began his career as a set designer in the Teatro Carcano (1804) and La Scala (1805-1809), under the direction of Alessandro Sanquirico.

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Edvard Munch | Evening Talk, 1889

Title: Evening Talk
Author: Edvard Munch🎨 (Norwegian Symbolist / Expressionist painter, 1863-1944)
Date: 1889
Medium: Oil on canvas
Dimensions: 175,6 x 216 x 9,1 cm
Current location: National Gallery of Denmark, Copenhagen

Munch’s lifelong obsession with loneliness and psychologically twisted love relationship began with this large picture.
This was the first time that he truly played out the theme that more than anything else infused his depictions of human beings “breathing and feeling, suffering and loving”, to use the artist’s own words.

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Federico Moja (1802-1885) | Veduta painter


Federico Moja was an Italian painter🎨, known best for his vedute and views of interior architecture.
Born in Milan into a family of artists, Moja began studying at the Brera Academy of Fine Arts in 1818 and became a pupil of Giovanni Migliara at the same time.
His early work is characterised by perspective urban views, monastery interiors and subjects of a historical and literary nature addressed in strict accordance with his master's teachings.

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Paul Cézanne at The Metropolitan Museum of Art

Paul Cézanne | Giocatori di carte, 1890-92

Tra il 1890-1896, Cézanne intraprese un ambizioso progetto di pittura dedicato al tema dei giocatori di carte. Arruolò dei contadini delle terre di famiglia, vicino ad Aix-en-Provence, come modelli.
Basandosi su numerosi studi preparatori, l’artista realizzò cinque composizioni che ampliano, sfidandole, le raffigurazioni tradizionali di questo tema, popolare fin dal Seicento. Pare che questa tela sia stata la prima della serie.
Dopo aver dipinto una successiva versione di grandezza doppia rispetto alla prima che comprendeva una nuova figura, un bambino in piedi, nelle tre versioni seguenti Cézanne eliminò i particolari superflui, raffigurando soltanto due giocatori, che si affrontano a viso duro attraverso il tavolo. | © The Metropolitan Museum of Art