Henry Lee Battle | Figurative painter

Henry Battle, a.k.a. Hbatto, a Californian native and well traveled Air Force veteran, now rooted in Atlanta GA, describes his style as richly realistic figurative snapshots of life. His subject matter ranges from spiritual and family-oriented, to romantic moments that he freezes in time.

Dalai Lama: "Quando perdi, non perdere la lezione"!

• Ci sono solo due giorni all’anno in cui non puoi fare niente: uno si chiama ieri, l’altro si chiama domani, perciò oggi è il giorno giusto per amare, credere, fare e, principalmente, vivere.

• La felicità è una combinazione di pace interiore, disponibilità economiche e, soprattutto, pace mondiale.

• Benché ci si possa trovare in un ambiente ostile, se l'atteggiamento mentale è fermo e stabile, l'ostilità non sarà causa di grande disturbo.

• Di fronte alla distruzione del mio popolo, mi dedico nell'esilio alla sola linea d'azione che mi è stata lasciata: ricordare al mondo per mezzo delle Nazioni Unite e di questo libro, quel che è accaduto e sta accadendo nel Tibet: e far piani per il futuro.

Andrew Benyei

Angel Ramiro Sanchez, 1974 | Figurative painter

Venezuelan painter Angel Ramiro Sanchez was born in 1974 in Maracaibo, Venezuela. At age six was accepted with full scholarship into the Instituto the Niños Cantores del Zulia, school for musically gifted children.

At age fourteen he began five years of apprenticeship with the realist painter, Abdon J. Romero, an eminent specialist in murals for churches and public buildings.

In 1993, a study grant from Mgr. Gustavo Ocando Yamarte, Founder the Niños Cantores, enabled him to travel to Florence, Italy, where he studied at the renowned Accademia di Belle Arti, graduating Magna Cum Laude in 1997.

André Derain: "The substance of painting is light"

• "Fauvism was our ordeal by fire... colours became charges of dynamite. They were expected to charge light... The great merit of this method was to free the picture from all imitative and conventional contact".

• "It was the era of photography. This may have influenced us, and played a part in our reaction against anything resembling a snapshot of life".

André Derain | Portraits

André Derain (1880-1954) was a French painter, sculptor and co-founder of Fauvism with Henri Matisse (1869-1954).

Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne.

The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauve movement.

Francisco De Zurbarán | Baroque painter

Francisco de Zurbarán (baptized November 7, 1598 - August 27, 1664) was a Spanish painter.

He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname Spanish Caravaggio, owing to the forceful, realistic use of chiaroscuro in which he excelled.

Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on November 7 of that year.

His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez.

In childhood he set about imitating objects with charcoal.

In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known.

Auguste Charpentier (1813-1880)

Auguste Charpentier was a French painter, engraver and designer.

Charpentier studied under the direction of Jean-Auguste-Dominique Ingres and François Gérard at the École beaux-arts de Paris.

He exhibited at the Paris Salon from 1833-1870, and was awarded a second-class medal in 1840.

Max Liebermann (1847-1935) | Vita ed Opere

Il pittore Tedesco Max Liebermann nacque in una famiglia ebraica. Studiò a Berlino e a Weimar, poi, attratto dalle innovazioni della pittura francese, dal 1873-1878 soggiornò a Parigi.

Tornato in Germania, si stabilì dapprima a Monaco poi a Berlino.

In questi anni non fu l'impressionismo a richiamare la sua attenzione, quanto il realismo di Gustave Courbet e di Jean-François Millet, di cui apprezzò particolarmente il messaggio sociale.