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Olga Akasi, 1970 | Classical portraits painter


Olga Akasi / Ольга Акаси is an Ukrainian artist born in Kiev, Ukraine.
She studied painting at the Grekov Odessa Art school.
"Akasi’s characters have astonishing faces. They don’t look like faces of real people; they came from another world, very far from human being. They look like images that don’t exist in our world.
Artist materializes them, embodies them, makes viewer to peer at this different-being and not to recognize himself in it. Smiles of faces at her works are not mundane and not human; there is something different in human being, the mystery that unites mundane human world with non-material, spiritual image".

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Joan Miró (1893-1983) | Surrealist painter / sculptor | Page 2


Joan Miró🎨 - Catalan painter who combined abstract art with Surrealist fantasy.
His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life.
He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces.

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Henri Matisse al Museo Hermitage di San Pietroburgo

La sala 440 del Museo Statale del Hermitage a San Pietroburgo, in Russia, è dedicata ai dipinti di Henri Matisse (1869-1954).
I celebri dipinti monumentali includono la coppia di pannelli conosciuti come Dance and Music (entrambi 1910), Family Portrait (1911), Conversation (tra il 1909-1912).


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Henri Matisse | Art Quotes

  • "What I am after, above all, is expression".
  • "Ciò che sto cercando, soprattutto, è l'espressione".
  • "I have worked to enrich my intelligence and meet my mind’s various needs, striving with all of my being for an understanding of the different interpretations of art given by the ancient and modern masters".
  • "Ho lavorato per arricchire la mia intelligenza, per soddisfare le differenti esigenze del mio spirito, sforzando tutto il mio essere alla comprensione delle diverse interpretazioni dell'arte plastica date dagli antichi maestri e dai moderni".
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Fede Galizia (1578-1630) | Baroque painter


Born in 1578 in Milan, Italy, Fede Galizia, like many female artists of her time, was the daughter of a painter (a miniaturist), who is assumed to have taught her his craft.
Little is known of her life, but her skill as a painter was first noted by Italian historian Giovanni P. Lomazzo when she was just 12 years old, and she was widely considered a prodigy.

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Jean Geoffroy (1853-1924) | Genre painter


Henri-Jules-Jean Geoffroy, also known by the pseudonym Géo was a French painter🎨 and illustrator, known primarily for his genre scenes🎨 with children. Some sources give his first names in reverse order.
His father, Jean-Baptiste (1822-1895), was a tailor and costume designer.
His mother, Rosalie, was the eldest daughter of an English painter named John Dickinson (1791-1830). They moved to Paris when he was only two.



In 1871, he began his studies at the École des Beaux-Arts; originally with Léon Bonnat, then with Eugène Levasseur (1822-1887) and Adolphe Yvon.
His first exhibition came in 1874, at the Salon, followed by the Salon des artistes français, of which he became a member in 1883.
For many years, until 1886, he took additional lessons from Émile Bin.
During these years, he had the patronage of the wood merchant, Laurent-Louis Borniche (1801-1883), who was also an avid art collector and creator of the Pavillon de l'Arsenal art museum. Geoffroy's career culminated with a gold medal🎨 at the Exposition Universelle (1900).
In 1882, he received a major commission from the Ministry of National Education.
In addition to paintings, he provided guidance on how images could be used in the classroom.
He was named an Officer of Public Instruction two years later.
In 1887, he was named a Chevalier in the Legion of Honor.


Another commission for five murals was received in 1893, occasioning trips to Brittany and Algeria to gather material.
He came to be a painter of children because, at the beginning of his career, he shared an apartment with two teachers, Louis and Julie Girard, above their private school.
Years later, when they opened a boarding school, he took inspiration for his works there.
Many document the social advancements made during the Third Republic. When Louis died in 1890, he became Julie's protector.
Around 1876, he met Pierre-Jules Hetzel, who hired him to be an illustrator of books for young people. After 1880, he signed his illustrations with the name "Géo".
He also became friends with Doctor Gaston Variot, who had worked with Louis Pasteur, and became an enthusiastic campaigner for Pasteurization.
He died of an undisclosed illness in 1924 and willed his remaining collection to Julie Girard. The Girard family still maintains his studio. | © Wikipedia




Jean Geoffroy (Marennes (Charente Marittima), 1º marzo 1853 - Parigi, 15 dicembre 1924) è stato un pittore ed illustratore Francese🎨.
Jean Geoffroy era figlio di Jean-Baptiste Geoffroy, sarto, e di Rosalie Dickinson. Sin da bambino fu chiamato con il nomignolo di "Gio" (pron. Jo), che in seguito divenne il suo pseudonimo con il quale firmò diversi lavori di illustrazione a partire dal 1880.
Dopo le scuole iniziali suo padre lo mandò a Parigi, dove poté seguire i corsi dell'École des beaux-arts. Qui fu allievo di Léon Bonnat, poi di Adam Levasseur e di Adolphe Yvon.
A partire dal 1874 Jean Geoffroy iniziò ad esporre i suoi lavori al "Salon de Paris", ed in seguito anche al "Salon des artistes français", di cui divenne socio nel 1883.


In quello stesso anno ricevette una menzione d'onore, nel 1886 una medaglia🎨 di terza classe e infine fu premiato con la medaglia d'oro in occasione dell'Expo di Parigi del 1900.
Nel 1885 fu insignito del titolo di cavaliere della Légion d'honneur.
Geoffroy dipinse in particolare scene di genere e ritratti, ma divenne noto per aver saputo trasferire felicemente sulle sue tele il fascino sereno dell'infanzia.
All'inizio della sua carriera, infatti, Geoffroy abitava nella casa di una coppia di maestri di scuola, in un appartamento situato sopra un istituto scolastico per bambini.
La vicinanza quotidiana di costoro gli fece apprezzare, e quindi poi trasportare nei suoi quadri con assoluta sincerità, il fascino ingenuo degli scolaretti.
Verso il 1876 incontrò l'editore Pierre-Jules Hetzel che lo assunse come illustratore di libri per bambini e giovani. Per questo le sue illustrazioni, dal 1880, sono firmate con lo pseudonimo di "Gio".
Jean Geoffroy morì a Parigi nel 1924 all'età di 71 anni. | © Wikipedia


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Sofonisba Anguissola (1532-1625) | Renaissance painter


Sofonisba Anguissola also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family.
Anguissola is significant to feminist art historians. Although there has never been a period in Western history in which women were completely absent in the visual arts, Anguissola's great success opened the way for larger numbers of women to pursue serious careers as artists; Lavinia Fontana expressed in a letter written in 1579 that she and another woman, Irene di Spilimbergo, had “set [their] heart[s] on learning how to paint” after seeing one of Anguissola’s portraits.

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Edwin Austin Abbey / Shakespeare | Who is Sylvia? What is She...

Who is Sylvia - What is she, that all the swains commend her by Edwin Austin Abbey (1899)

The "Two Gentlemen of Verona" is a comedy by William Shakespeare, believed to have been written between 1589-1593.
It is considered by some to be Shakespeare's first play, and is often seen as showing his first tentative steps in laying out some of the themes and motifs with which he would later deal in more detail; for example, it is the first of his plays in which a heroine dresses as a boy.
The play deals with the themes of friendship and infidelity, the conflict between friendship and love, and the foolish behaviour of people in love.
The highlight of the play is considered by some to be Launce, the clownish servant of Proteus, and his dog Crab, to whom "the most scene-stealing non-speaking role in the canon" has been attributed.
Two Gentlemen is often regarded as one of Shakespeare's weakest plays. It has the smallest named cast of any play by Shakespeare.