Fletcher Sibthorp, 1967 | Figurative painter

British painter Fletcher Sibthorp has worked as a full-time artist for the past twenty years, producing work in the commercial market, as well as selling paintings to private and corporate collectors.

Rank Xerox, British Telecom, Chase Manhatten Bank, Railtrack and Kirin Brewery are just a few of the companies that own his paintings as part of their collections. Initially, Fletcher was attracted by the concept of movement and its effect on the human form.

This naturally lead to his interest in sport and abstract portrayals of gymnasts and athletes, culminating in an exhibition 'In Motion' in London in 1992.

Nadar | The photographer of the Impressionists

Ringmaster, publicist, and performer in a highly theatrical life, the legendary Nadar (Gaspard-Félix Tournachon, 1820-1910) wore many hats - those of journalist, bohemian, left-wing agitator, playwright, caricaturist, and aeronaut.

He had success in all these roles, but what he did best was collect a pantheon of friends whom he honored with his generous and perceptive photographic portraits.

Born Gaspard-Félix Tournachon in 1820, the son of a liberal publisher, Nadar grew up in Paris in the heady ferment of Romanticism.

Alexandre Dumas, Victor Hugo, and Eugène Delacroix were his early heroes; Gérard de Nerval, Théophile Gautier, and Charles Baudelaire his maturing friends. Nadar’s imagination, wit, and spontaneity, like his passion for the colorful, unconventional, and free, were tendencies shared with both generations of Romantic writers and artists.

George Sand (French Romantic writer, 1804-1876) by Nadar, 1864

Pietro Antonio Rotari | A peasant girl In profile wearing a white scarf

Pietro Antonio Rotari 1707-1762) was an Italian painter of the Baroque period.

Born in Verona, he led a peripatetic career, and died in Saint Petersburg, where he had traveled to paint for the Russian court.

His portraits, mostly of women, are renowned for being beautiful and realistic.

Rotari's works were generally limited to royal portraits held by notables such as emperors and court ladies.

Marcel Proust: "Non smettere di cercare ciò che ami, o finiresti per amare ciò che trovi"

• "Dobbiamo essere grati alle persone che ci rendono felici. Sono i premurosi giardinieri che fanno fiorire la nostra anima".

• "Let us be grateful to the people who make us happy; they are the charming gardeners who make our souls blossom".

• "La musica è forse l’esempio unico di ciò che avrebbe potuto essere - se non ci fossero state l’invenzione del linguaggio, la formazione delle parole, l’analisi delle idee - la comunicazione delle anime".

• "La felicità è benefica per il corpo, ma è il dolore che sviluppa i poteri della mente".

• "Happiness is beneficial for the body, but it is grief that develops the powers of the mind".

Henri Fantin-Latour | Symbolist painter

Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour, (born Jan. 14, 1836, Grenoble, France-died Aug. 25, 1904, Buré), French painter, printmaker and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts.

Fantin-Latour’s first teacher was his father, a well-known portrait painter.

Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts.

Paul Cézanne | The Card Players series

Paul Cézanne | The Card Players, 1890-1892 | Metropolitan Museum of Art, New York

The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne.

Painted during Cézanne's final period in the early 1890s, there are five paintings in the series.

The versions vary in size, the number of players, and the setting in which the game takes place.

Paul Cézanne | Post-Impressionist painter

Cézanne's🎨 works were rejected numerous times by the official Salon in Paris and ridiculed by art critics when exhibited with the Impressionists.

Yet during his lifetime Cézanne was considered a master by younger artists who visited his studio in Aix.

Along with the work of Vincent van Gogh and Paul Gauguin, the work of Cézanne, with its sense of immediacy and incompletion, critically influenced Matisse and others prior to Fauvism and Expressionism.

After Cézanne died in 1906, his paintings were exhibited in a large museum-like retrospective in Paris, September 1907.

The 1907 Cézanne retrospective at the Salon d'Automne greatly affected the direction that the avant-garde in Paris took, lending credence to his position as one of the most influential artists of the 19th century and to the advent of Cubism.

Cézanne's explorations of geometric simplification and optical phenomena inspired Picasso, Braque, Metzinger, Gleizes, Gris and others to experiment with ever more complex views of the same subject and eventually to the fracturing of form.

Cézanne thus sparked one of the most revolutionary areas of artistic enquiry of the 20th century, one which was to affect profoundly the development of modern art.

• Picasso referred to Cézanne as "the father of us all" and claimed him as "my one and only master!"

Other painters such as Edgar Degas, Pierre-Auguste Renoir, Paul Gauguin, Kasimir Malevich, Georges Rouault, Paul Klee, and Henri Matisse acknowledged Cézanne's genius.

Vladimir Gusev / Владимир Гусев, 1957 | Impressionist painter

Russian artist🎨 Владимир Гусев🎨 successfully works on genre paintings, landscapes, still lifes and portraits.

Rejecting the naturalistic way of fine, Vladimir Gusev🎨 in his work does not neglect certainty.

His landscape works are always interesting on composition, spatial and color palette. Optimistic perception of nature allows him to make a sharp poetic expression.

Painting Gusev gives a feeling of lightness and ease of perception. Gusev - an active participant in many youth, Moscow, national and international exhibitions.

His works are in private collections in the USSR, Japan, France, Italy, Yugoslavia, Germany, Britain, Poland and Finland.