Although his name is not commonly known, Edmund Blair Leighton's most famous works are among the most widely recognized paintings of the period.
His works of Godspeed (1900) and the Accolade (1901), can be seen in almost every poster shop around the world and are used as the epitome of medieval iconography.
If one looks at the visual elements in Godspeed for example, it becomes evident that very few paintings encapsulate with such a strong a sense, the sensibilities of this genre.
The beautiful maiden on the steps of a stone castle, the knight in shining armor, the white steed, and the sense of immediate peril which threatens the subjects contentment almost define our modern day conception of Medieval legend and romantic sentiment.