Because she was a female artist, Morisot's paintings were often labeled as being full of "feminine charm" by male critics, for their elegance and lightness.
In 1890, Morisot wrote in a notebook about her struggles to be taken seriously as an artist: "I don't think there has ever been a man who treated a woman as an equal and that's all I would have asked for, for I know I'm worth as much as they".
Her light brushstrokes often led to critics using the verb "effleurer" (to touch lightly, brush against) to describe her technique.
In her early life, Morisot painted in the open air as other Impressionists to look for truths in observation.