Eugene Boudin | Quotes / Aforismi

• Everything that is painted directly and on the spot always has strength, a power, and a vivacity of touch one cannot recover in the studio... Three strokes of the brush in front of nature are worth more than two days of work at the easel [in the studio].
• Le opere dipinte direttamente sul luogo posseggono un potere e una vivacità che non possono essere riprodotte nell'atelier.
• [Venice is] somewhat disguised by the artists who usually paint Venice, who have disfigured it by turning it into a city heated by the brightest and hottest sun. On the contrary, Venice, like all luminous cities, has a grey hue, the atmosphere is mild and misty and the sky arrays itself with clouds, just like the sky of our Norman and Dutch regions.

Antonio Paoletti | Genre painter

Antonio Ermolao Paoletti (May 8, 1834 in Venice - December 13, 1912 in Venice) was an Venetian impressionist painter from the Macchiaioli group and teacher.

Paoletti is well known for his paintings of Venetian genre scenes.

Paoletti attended course in the Accademia as a pupil of Pompeo Marino Molmenti, and as a colleague of the sculptor Antonio Dal Zotto and the Armenian painter and engraver Edgar Chahine.

Sir William Orpen | Portrait painter

Sir William Orpen, in full Sir William Newenham Montague Orpen (1878-1931) was a Irish painter.

He attended the Metropolitan School of Art, Dublin (1891-1897), and the Slade School of Art, London (1897-1899). He became a friend of Augustus John and joined the New English Art Club.

The influence of Velázquez, in particular, is apparent in such early genre subjects as The Mirror (1900; London, Tate).

Adolfo Tommasi | Macchiaioli painter

Adolfo Tommasi (1851, Livorno - 1933, Florence) was an Italian painter.

Having left Livorno, Tommasi moved to Florence, where he attended the Academy of Fine Arts and met Silvestro Lega, who taught Adolfo’s younger cousins Angiolo and Ludovico and spent a great deal of time with the Tommasi family. He also briefly studied under Carlo Markò the Younger, but the style of academic painting did not appeal to him.

Daniel Sprick, 1953 | Figurative painter

American painter Daniel Sprick was born in Little Rock, Arkansas and studied at the Ramon Froman School of Art, the National Academy of Design in New York City, as well as the University of Northern Colorado where he received his BA in 1978.

Daniel Sprick’s life long love of drawing and technical mastery of painting began with his fascination of drawing at the age of four. Well educated in the pictorial tradition of art history, Sprick’s influences reach back to Northern European masters such as Robert Campin and Roger van der Weyden admiring their ability to render a convincing look at invisible realms and otherworldly occurrences.

Peder Mørk Mønsted (1859-1941)

Danish painter Peder Mørk Mønsted was born in Balle Mölle, near Grenna in eastern Denmark on 10th December 1859.

He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen.

Here he studied at the Royal Academy of Art between 1875-1878, and was taught figure painting by Julius Exner (1825-1910).

Gaston Cariot | Neo-Impressionist painter

The painter Gustave Camille Gaston Cariot🎨 (1872-1950) was born in Paris in the Marais district.

His father was a luggage maker. Very young, Cariot drew sketches of Paris and the surrounding countryside.

The artist was strongly influenced by the work of Claude Monet🎨, his series of 1890-1891 and his views of the Cathedral of Rouen🎨, as well as by the technique of pointillist and divisionist🎨 painters.

Eugene Boudin | Impressionist painter

Eugène Boudin, (born July 12, 1824, Honfleur, France - died August 8, 1898, Deauville), one of the first French landscape painters to paint in the open air, directly from nature.

His many beach scenes directly link the carefully observed naturalism of the early 19th century and the brilliant light and fluid brushwork of late 19th-century Impressionism.