Leopold Schmutzler (1864-1941) was born at Mies in Bohemia but settled in Munich. His works of the late nineteenth-century, like the Russell-Cotes painting, treat contemporary and 'frock-coat' Genre subjects with titles such as The Suitor, The Centre of Attention or Woman Eavesdropping on a Conversation.
They tend to be painted in a realistic style recalling the 'gallant' subjects of eighteenth-century painting that were so fashionable at the time.
The Minuet, like many of the artist’s works of this period, is proficiently executed with a detailed but free handling of the paint and it is characterised by a cloying, saccharine quality.