Giovanni Battista Tiepolo | Rococo painter

The Venetian Giovanni Battista Tièpolo (1696-1770) was arguably the greatest painter of eighteenth-century Europe and the outstanding first master of the Grand Manner.

His art celebrates the imagination by transposing the world of ancient history and myth, the scriptures, and sacred legends into a grandiose, even theatrical language.

Colonna’s perspective framework for Tiepolo’s frescoes is crucial to understanding the eighteenth-century notion of painting as a staged fiction-something intended to involve the viewer on a purely imaginative level.

This was in line with theater practice of the day-especially opera.

Emily Dickinson | Se tu dovessi venire in autunno /If you were coming in the Fall

Alan King, 1952 | Massurrealism Art Movement

Se tu dovessi venire in autunno

mi leverei di torno l’estate

con un gesto stizzito ed un sorrisetto,

come fa la massaia con la mosca.

Se entro un anno potessi rivederti,

avvolgerei in gomitoli i mesi,

per poi metterli in cassetti separati -

per paura che i numeri si mescolino.

Franco Rispoli (Italian, 1921-1989) | Genre painter

Franco Rispoli was an Italian painter🎨, known for painting in the Genre style🎨, scenes from everyday life, such as markets, domestic settings, interiors, parties, inn scenes and street scenes.

Franco Rispoli was born in Naples in 1921 and died in 1989.

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François Flameng | Academic painter

François Flameng (1856-1923) was a very successful French painter during the last quarter of the 19th century and the first quarter of the 20th.

He was the son of a celebrated engraver and received a first-rate education in his craft.

Flameng initially received renown for his history painting and portraiture, and became a professor at the Academy of Fine Arts.

He decorated such important civic buildings as the Sorbonne and the Opera Comique, and also produced advertising work.

Pablo Neruda | L'amore..

Che hai, che abbiamo,

che ci accade?

Ahi il nostro amore é una corda dura

che ci lega ferendoci

e se vogliamo

uscire dalla nostra ferita,

separarci,

ci stringe un nuovo nodo e ci condanna

a dissanguarci e a bruciarci insieme.

Moussin Irjan

Caspar David Friedrich | Romantic painter

The German painter Caspar David Friedrich (September 5, 1774 - May 7, 1840) was a landscape painter of the nineteenth-century German Romantic movement, of which he is now considered the most important painter.

A painter and draughtsman, Friedrich is best known for his later allegorical landscapes, which feature contemplative figures silhouetted against night skies, morning mists, barren trees, and Gothic ruins.

His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey the spiritual experiences of life.

Carl Wuttke | Landscape / Architectural painter

Carl Wuttke (January 3, 1849 in Trebnitz, Silesia - July 4, 1927 in Munich) was a German🎨 landscape and architectural painter.

From 1871-1873 Wuttke studied at the art academy in Berlin and deepened his artistic training under the Munich-based painter Angelo Quaglio (1829-1890) in 1873.

In the following year Wuttke underwent a hiking trip to Rome, where he settled until 1876.

He finally became a master student of Eugen Dücker (1841-1916) in Düsseldorf.

From 1885, Wuttke was active in Munich, but he kept traveling around the world, including a trip to the USA and a world tour in 1897-1899.

Carl Wuttke was one of the best known "painters travelers" of the nineteenth century.

Carole Feuerman, 1945 | Hyperrealist sculptor

Carole A. Feuerman is recognized as a pioneering figure in the world of hyperrealistic sculpture.

Together with Duane Hanson and John De Andrea, Feuerman is one of the three artists that started the Hyperrealism movement in the late seventies by making sculptures portraying their models in a life-like manner.

Dubbed ‘the reigning doyenne of super-realism’ by art historian John T. Spike, Feuerman has solidified her place in art history.

Feuerman’s prolific career spans over four decades and four continents.

Through her sculptures, she creates visual manifestations of the stories she decides to tell: of strength, survival, balance.