Carole A. Feuerman is recognized as a pioneering figure in the world of hyperrealistic sculpture.
Together with Duane Hanson and John De Andrea, Feuerman is one of the three artists that started the Hyperrealism movement in the late seventies by making sculptures portraying their models in a life-like manner.
Dubbed ‘the reigning doyenne of super-realism’ by art historian John T. Spike, Feuerman has solidified her place in art history.
Feuerman’s prolific career spans over four decades and four continents.
Through her sculptures, she creates visual manifestations of the stories she decides to tell: of strength, survival, balance.