Pierre-Auguste Renoir | La Loge (The Theatre Box), 1874

Pierre-Auguste Renoir’s La Loge (The Theatre Box), 1874, is one of the masterpieces of Impressionism and a major highlight of The Courtauld Gallery’s collection.

Its depiction of an elegant couple on display in a loge, or box at the theatre, epitomises the Impressionists’ interest in the spectacle of modern life.

In celebration of The Courtauld Institute of Art’s 75th anniversary the exhibition Renoir At the Theatre: Looking at ‘La Loge’, on view from 21 February to 25 May 2008, unites La Loge for the first time with Renoir’s other treatments of the subject and logepaintings by contemporaries, including Mary Cassatt and Edgar Degas.

Eugène Buland | Genre | Naturalist painter

Jean-Eugène Buland is a French painter🎨, born on October 26, 1852, in Paris, and died in 1926 in Charly-sur-Marne in the Aisne.

The son of an engraver, Buland entered the École nationale supérieure des Beaux-Arts under the tutelage of Alexandre Cabanel🎨. His earliest works were Symbolist paintings🎨 of antique scenes, but he quickly turned towards depicting scenes of everyday life.

He used photographs in order to paint with realism. He received the Second Grand Prix🎨 de Rome two years in a row, in 1878 and 1879.

Hans Zatzka | Academic painter

Austrian painter Hans Zatzka (1859-1949) -also known as P. Ronsard, Zabateri, Pierre de Ronsard, Joseph Bernard and Bernárd Zatzka- was born in Vienna, to a builder and his viennese actress wife, Hilde Sochor.

Zatzka showed an early interest in painting.

From 1877-1882 he attended the Academy of Fine Arts in Vienna, studying under Christian Griepenkerl, Karl Wurzinger and Carl of Blaas.

In 1880, at the age of 20, he was awarded the Golden Füger medal; the golden decoration for services to the city Vienna.

Ivan Aivazovsky | Romantic painter

Ivan Konstantinovich Aivazovsky / Ива́н Константи́нович Айвазо́вский (1817-1900) became the most prolific Russian painter of his time.

Early in his career, he was elected a member of five Academies of Fine Arts, including those of St. Petersburg (his Alma Mater). Rome, Florence, Stuttgart and Amsterdam.

He was an Academician at 27, and Professor of Marine Painting at the Academy of Fine Arts, St. Petersburg, at the age of 30.

Leonardo da Vinci | Trattato della pittura, 1540 | Testo Integrale

Leonardo da Vinci rimane l'unico artista pensatore che ha accentrato il suo pensiero scientifico e filosofico sulla pittura in genere, sulla pittura che egli stesso faceva e su quella che si preparava per l'avvenire.

"Il Trattato della Pittura" va considerato come il programma fondamentale dell'arte, ed è qui presentato come una serie di apparati che consentono al lettore di coglierne la straordinaria ricchezza delle esperienze, riflessioni e scoperte, geniali anche quando sembrano contraddire l'armonia da esse medesime intuita nel caos del mondo.

Richard E. Miller (1875-1943) | Page 2

Richard E. Miller, also known as: Richard Emil Miller, Richard Edward Miller, Richard Emile Miller, Richard E. Miller, was an American painter and a member of the Giverny Colony of American Impressionists.

Miller was primarily a Figurative painter, known for his paintings of women posing languidly in interiors or outdoor settings.

Miller grew up in St. Louis, studied in Paris, and then settled in Giverny. Upon his return to America, he settled briefly in Pasadena, California and then in the art colony of Provincetown, Massachusetts, where he remained for the rest of his life.

Fernand Pelez | Genre / Academic painter

Fernand Pelez (January 18, 1843 - August 7, 1913) was a French painter** of Spanish origin who worked in Paris. Pelez portrayed social issues in a realistic style.

Pelez was born in Paris. His father, Fernand Pelez de Cordova (1820-1899), was a Parisian painter** as well, and was one of his teachers.

Pelez was a commercial failure in the 1880s, and after the failure of his L'Humanité at the Salon of 1896, Pelez became something of a recluse, refusing to exhibit or sell his work.

Marie Bashkirtseff (1858-1884) | Genre painter

Marie Bashkirtseff, original name Mariya Konstantinovna Bashkirtseva, (born November 12 [November 24, New Style], 1858, Gavrontsy, Poltava, Ukraine, Russian Empire - died October 19 [October 31], 1884, Paris, France), Russian émigré best known for her sensitive and girlishly candid autobiography in French, Journal de Marie Bashkirtseff, avec un portrait, 2 vol. (1887). Though her diary is justly responsible for her reputation, she was also a highly talented visual artist and a high-spirited feminist.

Bashkirtseff was the daughter of Russian minor nobility, and she spent a peripatetic childhood with her mother - her parents had separated after two years of marriage - in Germany and on the Riviera until they settled in Paris.