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George Henry Boughton RA | Genre painter


George Henry Boughton RA (December 4, 1833 - January 19, 1905) was an Anglo-American landscape and genre painter, illustrator and writer.
Boughton was born in Norwich in Norfolk, England, the son of farmer William Boughton. The family emigrated to the United States in 1835, and he grew up in Albany, New York where he started his career as a self-taught artist. At this early stage, he was influenced by the artists of the Hudson River School.

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Filippo Indoni | Genre painter


Filipo Indoni (1842-1908) was an Italian painter** who painted in the Realist style.
He often created lively scenes of peasants and lower class people playing, laughing and generally being care.
Indoni made these formerly forgotten people in the art world shine, while his fellow artists were portraying them in darker themes. Indoni was particularly talented with watercolors, and painted a number of scenes of peasants** and country people in watercolor.



Unlike many other artists who portray peasants and workers, Indoni’s subjects are generally happy and jubilant.
This is because Indoni’s goal was to portray them as being people that are proud of their hard work, as opposed to being downtrodden, and was Indoni’s response to the idealistic, but unrealistic styling of formerly popular Romanticism.












Filipo Indoni (1842-1908) attivo a Roma nella seconda metà del XIX secolo.
Pittore di genere**, di paesaggio e di soggetti classici, realizzati a olio e ad acquerello, fece uso di uno stile accuratamente realistico, apprezzato soprattutto dal mercato straniero.
A Roma espose nel 1872 alla Mostra della Società Amatori e Cultori delle Belle Arti (Costumi delle campagne romane) e alla Esposizione Internazionale del 1883 (Le gioie del viaggio); fu anche presente alle esposizioni di Firenze nel 1880 e di Torino nel 1884 (Costume dell’Impero).
Per il collegio Nazareno di Roma eseguì il ritratto di Alessandro Torlonia. | © Istituto Matteucci.



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Andriy Shumskiy / Андрій Шумський, 1977 | Cityscape painter

Андрій Михайлович Шумський was born in the city of Lutsk, Ukraine. In 2002 graduated his studies at the Lviv Academy of Arts.
A modern multi-faceted artist always improving his skills, embodies the creative ideas in different techniques and ways - painting churches, icons, landscape painting, portrait, sculpture.

His works have been awarded the most prestigious recognitions collectors.
Most of the art and the artist’s works are in private collections, churches, galleries and exhibitions in Europe, Ukraine and Russia.


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Jacquelyn Bischak, 1961 | Figurative painter

Born in Ann Arbor Michigan, Jacquelyn Bischak received a Bachelor of Fine Art degree from Eastern Michigan University.
A large portion of her career has been spent working in advertising as an art director and coordinator, most recently for Leo Burnett.
She began painting the figure professionally in 2007 and showing her work with the Legacy Galleries in September of 2008.


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Gaetano Previati | Divisionist painter

Gaetano Previati (1852- 1920) was an Italian Symbolist painter in the Divisionist style.
Previati was born in Ferrara.
He relocated to Milan in 1876 and enrolled at the Brera Academy of Fine Arts, studying under Giuseppe Bertini, Giovanni Morelli and Federico Faruffini.
He became strongly attached to the Divisionist style, and even published a treatise on I principi scientifici del Divisionismo (1909).


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Tranquillo Cremona | Romantic painter

Tranquillo Cremona (10 April 1837 - 10 June 1878) was an Italian painter.
He was born in Pavia and was the brother of the mathematician Luigi Cremona.
He trained as a young man with Giovanni Carnovali. He lived in Venice from 1852-1859.
Cremona moved to Milan and he became part of the Scapigliatura movement which was characterized by bohemian attitudes and included poets, writers, musicians and artists infused with a combination of rebellious, and later anti-academic and anarchic, tendencies.


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Megan Duncanson | Abstract painter

'- I grew up in the bush of Alaska near the small fishing village, Meyers Chuck. We didn't have any of the modern amenities most of us take for granted.
The only way to get where I lived was by boat or float plane, there were not (and still are not) any roads.
The only source of electricity was individual generators. Our only source of heat was provided by wood burning stoves (there was a lot of firewood to be cut and stacked!)
My family didn't have phones or cable TV, it was roughing it at it's best!'


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Federico Faruffini | Romantic / Realist painter


Federico Faruffini (1831-1869) was an Italian painter** and engraver of historical subjects, in a style that combines the styles and themes of Realism with the diffuse outlines and lively colors of Scapigliatura painters - Artistic movement that developed in Italy after the Risorgimento period (1815–1871). The movement included poets, writers, musicians, painters and sculptors. The term Scapigliatura is the Italian equivalent of the French "bohème" (bohemian), literally meaning "unkempt" or "dishevelled"..


Born in Sesto, a commune now inside the metropolitan area of Milan, he initially trained with Trecourt in Pavia. He befriended Tranquillo Cremona** and accompanied him to Milan and Venice. He traveled with Giovanni Carnovali.


In the 1864 exposition at the Brera, he submitted a watercolor, Coro della Certosa di Pavia, and four oil canvases: Scholars of Alciato, an Annunciation, Cordello e Cunizza, and his Machiavelli and Borgia, which he both painted and engraved, and for which he received a medal in 1866.
His Sacrifice at the Nile was painted for the 1865 exhibition. In 1867, at the Paris Salon, he was awarded** a first prize medal for a paintings of Borgia and one of The death of Ernesto Cairoli.
Lack of recognition and financial difficulties is said to have led him to his suicide at age 38, in Perugia. | © Wikipedia





Faruffini, Federico - Pittore ed incisore (Sesto San Giovanni 1831 - Perugia 1869).
Fu allievo a Pavia di G. Trécourt insieme con T. Cremona, con cui passò poi a studiare a Venezia e all'accademia di Brera. Ebbe vita travagliata; morì suicida.
Pittore soprattutto di quadri storici, si distaccò dalla maniera di F. Hayez, inclinando a un romanticismo più soggettivo e drammatico, con audacie coloristiche talvolta originali.
La sua attività ebbe qualche rapporto con quella della Scapigliatura.
- La Scapigliatura fu un movimento artistico e letterario sviluppatosi nell'Italia settentrionale a partire dagli anni sessanta dell'Ottocento; ebbe il suo epicentro a Milano e si andò poi affermando in tutta la penisola. Il termine fu proposto per la prima volta da Cletto Arrighi (pseudonimo di Carlo Righetti) nel suo romanzo “La Scapigliatura e il 6 febbraio” del 1862, ed è la libera traduzione del termine francese bohème (vita da zingari), che si riferiva alla vita disordinata e anticonformista degli artisti parigini descritta nel romanzo di Henri Murger Scènes de la vie de bohème (1847-1849). Contro il romanticismo italiano maggioritario (Manzoni, Berchet, D'Azeglio), recuperarono le suggestioni del romanticismo straniero e diffusero il gusto del naturalismo francese nascente e del maledettismo alla Baudelaire, anticipando verismo e decadentismo.
Si dedicò anche all'acquaforte e, negli ultimi anni, alla fotografia. Opere nelle gallerie di Milano, Pavia, Roma. | © Treccani