Guy Denning, 1965 | Abstract painter

Guy Denning, born in North Somerset, has been obsessed with visual art since childhood and started painting in oils at the age of eleven after receiving a set of old paints from a relative that had grown bored with them.

Through the 1980s he was repeatedly unsuccessful in his applications to study painting at degree level but continued painting whilst studying art history with the Open University and learning painting technique from older painters he knew in the west of England.

Cayetano De Arquer Buigas | Impressionist painter

Cayetano de Arquer Buigas (1932-2012) was a Catalan contemporary figurative painter, especially known for capturing the beauty, sensitivity and delicacy of women of his era through pastel, oil and charcoal techniques.

With an equal mastery, he explored portraiture, figure studies, equestrian subjects, landscapes, scenes of daily life, maternity, taverns and more.

Arquer Buigas stands as perhaps one of the most emblematic inheritors of 19th-century Catalan and French Impressionist style (seen in artists such as Ramón Casas and Eduard Degás).

With his elegant, restrained color palette and compelling balance between composition and subject choices, Buigas’s output has afforded him the status of a beloved, enduring master.

Master of the Female Half-Lengths / Maestro delle mezze figure | Santa Caterina, 1530

Title: Saint Catherine

Author: Master of the Female Half-Lengths (1525-1550)

Date: 1530

Medium: Oil on panel

Dimensions: cm 45 x 36

Current location: Pinacoteca di Brera, Milan

Juan Fortuny, 1939 | Impressionist / Realist / Figurative painter

Juan Fortuny* is an Spanish painter*, known for working in the Realist, Impressionist* e Figurative style.

Juan Fortuny was born in Badalona, a small fishing town near to Barcelona, on the 20th of April, 1939.

For biographical notes -in english and italian- and other works by Juan Fortuny see: Juan Fortuny, 1939 | Impressionist / Realist painter ➠.

Miloslava Vrbova-Stefkova | Ballet dancers

Czech artist Miloslava Vrbova-Štefková (1909-1991) was an traditionalist post-impressionist painter.

During the 1937-1938 Miloslava Vrbova-Štefková studied at the Académie des Beaux-Arts in Paris with Czech Abstract painter František Kupka (September 23, 1871 - June 24, 1957).
Besides the dancers, the ballet scenes and portraits, Miloslava Vrbova also painted landscapes and the Prague urban motifs, religious scenes (the Crucifixion in the church Žinkovie), still lifes and flowers.

Carlo Crivelli | Santa Maria Maddalena, 1470-1473 | Trittico di Montefiore

Santa Maria Maddalena è un dipinto appartenente al registro centrale del Polittico di Montefiore di Carlo Crivelli (1430/5 - 1494)*, realizzato con tecnica a tempera e oro su tavola nel 1471-72 e misura 174 x 54 cm. Il riquadro è custodito chiesa di Santa Lucia, Montefiore dell’Aso, provincia di Ascoli Piceno.

Nel Polo museale di San Francesco a Montefiore restano oggi sei pannelli che sono stati ricomposti a formare un arbitrario trittico, detto Trittico di Montefiore.

Annick Bouvattier | Pittrice figurativa

Più attratta dalle sfilate che dalle boutique di moda, Annick Bouvattier inizia la sua vita lavorativa nel cinema e nella pubblicità.

Costumista, lavora spesso negli studi di Cinecittà a Roma.

Dei suoi soggiorni in Italia conserva il sapore dei colori caldi, sensuali, profondi: gli ocra solari, i rossi sordi, gli azzurri intensi, i verdi profondi.

Annick Bouvattier è la pittrice dei silenzi, dei piccoli gesti insignificanti compiuti ogni giorno, dei momenti banali, degli sguardi fugaci, delle parole non dette, delle storie senza parole - ma molti collezionisti hanno già sentito quei silenzi.

Lorenzo Lotto | The Recanati Polyptych / Il Polittico di Recanati, 1506-1508

The Recanati Polyptych is a painting by the Italian Renaissance painter Lorenzo Lotto*, executed in 1506-1508 and housed in the Civic Museum of Villa Colloredo Mels, Recanati, Italy. The work is dated and signed Laurent[ius] Lotus MDVIII.

Lotto began to work on the piece in 1506 as a devotional for the church of San Domenico in Recanati. The work was seen and described complete and in situ by Giorgio Vasari* in his Vite, who said Lotto was still young and followed partly the manner of the Bellini*, partly that of Giorgione*.