Caravaggio | The crowning with thorns, 1607

Title: The Crowning with Thorns;

Painted by: Caravaggio;

Location: Kunsthistorisches Museum, Vienna, Austria;

Dimensions: 64.96 inch wide x 50.00 inch high;

The Vienna Crowning with Thorns is a painting by the Italian master Michelangelo Merisi da Caravaggio. Executed probably in 1607, it is now located in the Kunsthistorisches Museum, Vienna.

According to Caravaggio's biographer Giovanni Bellori a Crowning with Thorns was made for Caravaggio's patron Vincenzo Giustiniani, and this painting can be traced convincingly to the Giustiniani collection.

Michelangelo | La Cappella Sistina | La Volta, 1508-1512

La decisione di Giulio II di rifare integralmente la decorazione della volta fu probabilmente dovuta ai gravi problemi di natura statica che interessarono la Sistina fin dai primi anni del suo pontificato (1503-1513).

Essi dovettero essere la conseguenza degli scavi eseguiti sia a nord che a sud dell’edificio per la costruzione della Torre Borgia e del nuovo San Pietro.

Dopo che nel maggio del 1504, una lunga crepa si aprì nella volta, fu incaricato Bramante, allora architetto di Palazzo, di porvi rimedio, il quale mise in opera alcune catene nel locale soprastante la Cappella.

Oksana Yambykh, 1966 | Surrealist painter

Oksana Yambykh / Оксана Ямбых is a French painter🎨 of Ukrainian origin, born in Poltava.

After her art studies in Ukraine, Oksana came to France at the age of 26.

She joined at first Art’partage, then the Figuration Critique in 2005. She joined the Narro group in 2007, her career went international and she today she shows her work regularly in Paris and in Europe.

15th-16th century Artists | Sitemap

Botticelli | Venus and Mars, c. 1483

List of 15th-16th century Artists, artistic movements definition

Natalia Tour /Наталья Тур, 1972 | Figurative painter

Наталья Тур, pittrice Russa, si è diplomata al Liceo Artistico Serov a San Pietroburgo, e poi ha ricevuto un diploma della San Pietroburgo Accademia di Belle Arti nella classe di pittura. Dal 1999, Natalia ha partecipato in numerose mostre internazionali. Espone regolarmente in Francia, Parigi, Strasburgo, Cote d'Azur. Dal 2006 è stata l'attività espositiva attiva a Mosca. Le sue opere si trovano in collezioni private in Russia, Francia, Gran Bretagna, Paesi Bassi e Stati Uniti. Membro dell'Unione degli artisti russi.

Elena Katsyura /Елена Кацура, 1973 | Still Life / Cityscape painter

Elena Katsyura was born and learned how to paint in Russia, in the country with the old artistic traditions.

Russian realistic painters, such as Repin, Serov, Levitan, and French and American impressionists (Monet, Manet, Sargent) have always been her "guiding stars" and she draws inspiration from their works.

Her artistic creed is in combination of the traditions of Russian realistic art and French impressionism.

Linda Lee Nelson, 1963 | Impressionist painter

Linda Lee Nelson has been painting unique commission work and works for sale since 2002 and painted over 200 commission is 10 years. Is the Inventor of the AHA Palette and Easele Box.

Her work has won several awards from notabel organizations as the Oil Painters of America, and the Portrait Society of America, and her award most recently won was Best In Show at the 2012 Arts In Harmony Exhibition in Minnesota.

Linda was a finalist in the prestigious ACOPAL Contemporary American and Chinese Realism Exhibition.

Michelangelo | La Cappella Sistina | The Ceiling, 1508-1512

Julius II's decision to completely renovate the decoration of the Ceiling was probably due to the serious problems of a static nature that affected the Sistine Chapel from the earliest years of his pontificate (1503-1513).

They must have been the result of the excavations carried out both to the north and to the south of the building for the construction of the Borgia Tower and for the new St Peter's. After a long crack had opened in the Ceiling in May 1504, Bramante, then the Palace architect, was charged with finding a solution and he fixed some tie rods in the area above the Chapel. However, the damage suffered by the old painting must have been such as to convince the pontiff to entrust Michelangelo with a new pictorial decoration.