Djordje Prudnikoff | Pittore figurativo

Djordje Prudnikoff (1939-2017) è stato un pittore, grafico e designer Russo-Serbo. Prudnikoff è nato a Užice ed è stato affermato come uno degli artisti contemporanei più originali emergenti dall'ex Jugoslavia.

Nel 1946 la famiglia si trasferì a Belgrado.

Dopo aver completato le scuole superiori, Prudnikoff fu ammesso all’Accademia delle Belle Arti. Pochi mesi dopo la abbandonò per iscriversi all’Accademia delle Arti Applicate dove si diplomò nella classe del Professor Mihailo Petrov.

Durante i suoi studi Prudnikoff venne premiato diverse volte per meriti nel campo del “graphic design”.

Vasily Polenov | Woman Walking in a Forest Park, 1883

Vasily Dmitrievich Polenov / Васи́лий Дми́триевич Поле́нов (1844-1927)was born in Saint-Petersburg. His family placed great emphasis on the importance of art and culture. Indeed his father, Dmitri Vassilievitch Polenov (1806-1872) was a connoisseur of the artistic world, and his mother, Maria Alexeievna Voeïkova (1816-1895) a gifted portraitist of the Brullov school.

He spent his childhood in Saint-Petersburg, a major cultural center, and Carely, in the Olonentsky countryside.

Like his ancestors, Vasily Dmitrievitch studied law at the University of Saint-Petersburg, yet he dreamt of becoming a painter. He decided to take courses at the Academy of Painting (1863-1871).

While he was studying at the Academy, he was able to travel in Western Europe (Germany, Italy, Greece, France). He had a studio in Montmartre, an important center for Parisian art, and sought inspiration in Normandy.

Ernst Lorenz Murowana | Romantic painter

Ernst Hugo Lorenz-Murowana (1872-1950) was an German painter, active in Berlin.

His paintings show predominantly nocturnes views of Berlin, Potsdam, landscapes of Pomerania and from the Baltic Sea, flowers and interiors.

He worked as a painter as well as restorer, and used to live and work in Berlin until his death in 1950.

As he was born in Wielkopolska it is often mistakenly portrayed as a Polish painter.

Matt Abraxas, 1974 | Figurative Impressionist / Realist painter

Matt Abraxas is an internationally recognized fine artist whose work is collected throughout the U.S., Europe and the Middle East.

Studied "Restructured Realism" under Ted Seth Jacobs in France, and the Abstraction Method under Jeffrey Watts in California.

Currently showing at SmithKlein Gallery in Boulder, CO.

Jacques Le Nantec, 1940 | Scultore figurativo

Jacques Le Nantec, vero nome Jacques Métayer - è uno scultore Francese nato a Nantes.

Alla età di tredici anni, ripristinò una statuetta rotta e scoprì la passione per la scultura.

Nell’ottobre del 1957, ad Annecy espose le sue prime quindici opere, tra cui due a grandezza naturale.

L'arte visionaria di Anne Bachelier, 1949

Anne Bachelier è nata in Louvigne du Desert, Francia.

Ha studiato presso la Ecole des Beaux Arts, La Seyne-sur-Mer tra il 1966-1970.

L'artista cattura il suo pubblico con avvincenti immagini estremamente fantasiose che sono uniche per inventiva ed immediatamente riconoscibili.

Le sue metafisiche fantasie oniriche evocano sentimenti potenti ma anche pacifici e protettivi.

Odysseas Oikonomou, 1967 | Children portrait painter

Albanian-born Greek painter Odysseas Oikonomou /Οδυσσέας Οικονόμου was born in Dhuvjan, Albania to Greek parents.

He paints from the age of five years old.

At the age of 14 years old, ending eight-year primary school, and after double competition (in Gjirokaster, Berat,) wins a place in the Artistic Liceu "Ajet Xhindole" in Berat.

After a four-year studying, ending in 1985 with excellent the school.

His first teacher was the eminent painter Sotir Capo «Artist i Merituar».

In 1990 he graduated from the Pedagogical Institute of Gjirokastra «Eqerem Çabej».

Adam Miller, 1979 | Renaissance / Baroque style painter

Adam Miller's paintings explore the intersection between mythology, ecology and humanism.

Visually inspired by baroque and Hellenistic narrative painting they take a polytheistic approach to contemporary folklore, questions of progress and the experience of human narrative in the face of technological change and the struggle to find meaning in a world poised between expansion and decay.

Miller's work is mannerist in it's use of the human form as a vehicle of feeling and thought beyond the literal representation of a particular person.