Jules Tavernier | Hawaii’s Volcano School

Jules Tavernier (27 April 1844 - 18 May 1889) was a French painter, illustrator, and an important member of Hawaii’s Volcano School.
He was born on 27 April 1844 in Paris. He studied with the French painter, Félix Joseph Barrias (1822-1907, but left France in the 1870s, never to return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him, along with Paul Frenzeny, on a year-long coast-to-coast sketching tour in 1873. Eventually, he continued westward to Hawaii, where he made a name for himself as a landscape painter. He was fascinated by Hawaii’s erupting volcanoes-a subject that was to pre-occupy him for the rest of his life, which was spent in Hawaii, Canada and the western United States. Tavernier died on 18 May 1889 in Honolulu, Hawaii.

Brahim Achir, 1956 | Surrealismo Visionario

Brahim Achir nasce in Algeria il 21 gennaio 1956.

Nel 1976 consegue in Algeria il diploma di laurea di perito tecnico superiore.

Vinta una borsa di studio, si trasferisce in Italia dove studia presso l’Accademia Navale di Livorno (anno 1977-78) che però lascia per dedicarsi alla pittura ed alla poesia.

Nel 1979 torna a Roma per proseguire la sua ricerca pittorica, esponendo in diverse mostre collettive e personali.

Giorgio De Chirico | The Metaphysical Art Movement

Giorgio de Chirico, (born July 10, 1888, Vólos, Greece - died Nov. 19, 1978, Rome, Italy), Italian painter who, with Carlo Carrà and Giorgio Morandi, founded the style of Metaphysical painting.

After studying art in Athens and Florence, de Chirico moved to Germany in 1906 and entered the Munich Academy of Fine Arts.

His early style was influenced by Arnold Böcklin’s and Max Klinger’s paintings, which juxtapose the fantastic with the commonplace.

Howard Rogers, 1932 | Figurative painter

Master Artist Howard Rogers is well known for his paintings of rugged cowboys and their horses, paintings of beautiful figures and for his lyrical figurative bronzes.

For biographical notes -in english and italian- and sculpting works by Howard Rogers see Howard Rogers, 1932 | Bronze figurative sculptures.

Lotta Blokker, 1980 | Figurative sculptor

When Lotta Blokker (Amsterdam 1980) first encountered the work of the french sculptor Auguste Rodin, during a secondary school excursion to the Musée Rodin in Paris, Lotta Blokker felt that her destiny had been determined. "This is it", she thought, looking at Rodin’s works. At the age of nineteen she travelled to Italy to study sculpture at the Florence Academy of Art.

Her talent was obvious and she started teaching even before she had graduated. The programme had a strong focus on learning the technique of sculpting. Observing, interpreting, drawing, modelling: the hand should follow the eye.

Aert van der Neer | Dutch Baroque Era painter

Aert van der Neer, Aert also called Aernout (born 1603/04, Gorinchem [also called Gorkum, or Gorcum] or Amsterdam, Netherlands - died November 9, 1677, Amsterdam) Dutch painter of the Baroque period, famous for his nocturnal landscapes and winter scenes. His mastery of light effects is revealed in his many darkened landscapes lit by a full moon or a burning building as well as by his sensitivity to the appearance of light on water and ice.

Eric Roux-Fontaine, 1966 | Magical Realism painter

Eric Roux-Fontaine was born in the Savoy Region of France. He enrolled at the Fine Art School of Saint-Etienne at the young age of 17 and graduated Summa Cum Laude 5 years later. Since his first solo exhibition in 1991, he has enjoyed sellout shows and overwhelming success throughout Europe. In 1995, the Musée des Beaux-arts of the city of Chambéry and the Musée Paul Dini of the city of Villefranche-sur-Saône acquired works which to date are part of their permanent collections.

Philip Jackson, 1944 | Abstract /Impressionist sculptor

"My sculptures are essentially an impressionistic rendering of the figure.

Where you see the figure seemingly grow out of the ground, the texture resembles tree bark, rock, or lava flow.

As the eye moves up the sculpture, the finish becomes gentler and more delicately worked, culminating in the hands and the mask, both of which are precisely observed and modeled" - Philip Jackson.