Amedeo Bocchi | Figurative Realist Painter /Sculptor

Amedeo Bocchi (August 24, 1883 - December 16, 1976) was an Italian painter, active mainly in Rome.

• Biography

He was born in Parma to a father who worked in painting wall decorations. At the age of 12 years, he was enrolled in the Royal Institute of Fine Arts of Parma, under the direction of Cecrope Barilli. In 1901, at the age of 18 years he was graduated, and Barili prompted him to travel to Rome to the Scuola del Nudo on Via Ripetta.

Myles Sullivan | Figurative painter

Myles Sullivan spends his days working from his West Coast studio. Surrounded by the serenity of the countryside he creates works that capture the energy of the world around us.

After graduating from Art School, Myles experimented with his art career, painting in a variety of styles and mediums. Today, he focuses on compositions that capture a fleeting moment in time.

When not painting, Myles escapes to the wilderness of the back country. His wife and children are a constant source of inspiration and joy.

Christophe-Gabriel Allegrain | Rococo Era sculptor

Christophe-Gabriel Allegrain (11 October 1710 - 1795) was a French sculptor who tempered a neoclassical style with Rococo charm and softness, under the influence of his much more famous brother-in-law, Jean-Baptiste Pigalle.

Allegrain was born into a well-established family of landscape painters in Paris.

His single most famous work, a marble Bather (La Baigneuse), was commissioned for the royal residences through the Bâtiments du Roi in 1755; a modelled sketch was shown at the Salon of 1757.

Christophe-Gabriel Allegrain portrait by Joseph Duplessis, 1774,

Giorgio Vasari | Allegory of Italian cities

Giorgio Vasari | Allegory of Romagna

Vasari’s (1511-1574) life is intimately rooted in the Uffizi Gallery. With five of his paintings in various rooms throughout the museum, he also chronicled the lives the Renaissance artists that fill the Gallery, but even more importantly, he laid the original architectural design for the Palazzo degli Uffizi.

An acclaimed artist and architect of his time, Vasari is perhaps better known today for his invaluable tome of biographies, Le Vita delle più eccellenti pittori, scultori, ed architettori (Lives of the Most Excellent Painters, Sculptors and Architects) or simply the Vite or Lives of Artists.

Mikhailichenko Sergey Viktorovich, 1970 | Plein Air /Still life painter

Mikhailichenko Sergey Viktorovich / Михайличенко Сергей Викторович is an Ukrainian painter, born in Tashkent. He graduated from the Tashkent Republican XY. Studied with M. Dimov, 1990. For some time he worked in Italy.

Since 1996 lives and works in Sumy.

His works are in numerous private collections in Ukraine, Russia, Italy, Germany, Japan and the UK.

Ann Feldman | Palette Knife painter

Born and raised in New Orleans, Ann Feldman is a painter and art instructor living in Barrington, Illinois.

Her art education began at the School of the Art Institute of Chicago, and she continued her studies in the ateliers of some of the leading contemporary artists in the United States today, namely a five year mentorship with Margaret Carter Baumgaertner in portraiture.

Alexandre-Louis Jacob | Landscape painter

French artist Alexandre Louis Jacob (1876-1972) was born in Paris in 1876. His landscape paintings are characterized by a serene mood and muted palette.

Jacob started exhibiting his works in the various French Salons in 1899.

He was a member of the Society of French Artists, the French Water Color Federation of Artists, and the Society of French Landscape Painters and Sculptors.

He was also a member of the Salon d’Hiver and an honorable member of Lagny. He was an officer of L’Instruction Publique as well.

Leonardo da Vinci | Della Pittura e della Poesia

Trattato della Pittura

Parte prima | Capitolo 40

Leonardo da Vinci | Trattato della pittura | Testo Integrale

Per fingere le parole la poesia supera la pittura, e per fingere fatti la pittura supera la poesia, e quella proporzione ch'è dai fatti alle parole, tal è dalla pittura ad essa poesia, perché i fatti sono subietto dell'occhio, e le parole subietto dell'orecchio, e cosí i sensi hanno la medesima proporzione infra loro, quale hanno i loro obietti infra se medesimi, e per questo giudico la pittura essere superiore alla poesia.