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Gian Lorenzo Bernini, uomo ed artista universale

Oltre ai suoi autoritratti e ad un ritratto fattogli dal Gaulli (Roma, Gall. Corsini), il Bernini è stato descritto fisicamente e moralmente da numerosi autori: basti ricordare lo Chantelou, ed il figlio Domenico, che lo disse "aspro di natura, fisso nelle operazioni, ardente nell'ira".
Egli fu l'artista più intimamente legato al cattolicesimo risorgente nella temperie postridentina, e non può esserci dubbio sulla sua convinzione religiosa; pare che negli anni successivi al 1630 la sua fede si fosse approfondita e che nell'ultimo periodo della sua vita frequentasse assiduamente gesuiti e oratoriani: era amico intimo dei padre G. P. Oliva, gesuita, per il quale disegnò il frontespizio al secondo volume delle Prediche (1664) e ebbe come consigliere spirituale anche un suo nipote, padre Marchesi, oratoriano.


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Diego Velázquez | Baroque Era painter


Diego Rodríguez de Silva y Velázquez[a] (baptized June 6, 1599 - August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age.
He was an individualistic artist of the contemporary Baroque period.
He painted initially in a precise tenebrist style, but later developed a free manner characterized by bold brushwork that produced an illusion of form only when viewed at a suitable distance.

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Vincent van Gogh | Study of hands

  • Cos'è disegnare? Come ci si arriva? È l'atto di aprirsi un passaggio attraverso un muro di ferro invisibile che sembra trovarsi tra ciò che si sente e che si può.
  • Faccio sempre ciò che non so fare per imparare come va fatto.
  • L'arte è gelosa... bisogna lavorare a lungo e duramente per afferrarne l'essenza. Quello a cui miro è maledettamente difficile, eppure non penso di mirare troppo in alto.
  • Soffrire senza lamentarsi è l'unica lezione da imparare in questa vita.
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Andrew Kish, 1980 | Conceptual painter


Andrew Kish III is an award winning🎨 master Watercolor painter who is constantly pushing the boundries of contemporary watercolor. Andrew holds a BFA from Kutztown University and resides in eastern Pennsylvania.
Born in 1980 in Bethlehem Pennsylvania, Andrew M. Kish III has emerged as one of the premier watercolor painters of his generation. Kish received his B.F.A. in painting from Kutztown University. His paintings explore social subjects ranging from politics to spirituality and dive deeply into the contemporary human experience.
His unique ability to blend thought provoking concepts with powerful compositions is evolving the landscape of contemporary watercolor. Kish’s current work deals with the morality of social paradigms and challenges the viewer with rich provocative and metaphoric imagery.

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Karen Hollingsworth, 1955 | WindowScape painter

Early in her career as an artist, Karen Hollingsworth painted mostly portraits and still life arrangements.
Then, around 2002, while Karen was moving furniture around her studio to set up the scene for a new still life, she placed a chair in front of a window and thought, "Now that’s a painting!"
That’s when Karen switched her focus and began mainly painting compositions of chairs and windows. From there she evolved into painting open windows with a variety of scenes beyond them.


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Barbara Jaenicke, 1964 | Plein Air /Still life /Pastel painter



Barbara Courtney Jaenicke (pronounced JAN-i-kee) loved to draw and paint as a teenager and decided at an early age to pursue an art career in one form or another. She received a Bachelor of Arts degree in 1986 from The College of New Jersey, taking as many fine art courses as she could, while also taking painting classes outside of her college studies. But with the desire to have a steady income right after college, she geared her education toward the commercial side and spent a little over a decade of her early career in advertising as an art director, then later shifted gears to a corporate role in marketing communications.
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Hughie O'Donoghue RA, 1953 | Abstract Expressionism painter



© The Royal Academy of Arts /Hughie O’Donoghue RA was born in England but lived and worked for many years in County Kerry, Ireland. He graduated from Goldsmiths in 1982 and was Artist in Residence at the National Gallery, London from 1984-85.
His work is characterised by an engagement with the past. He uses figuration and abstraction to explore themes of human identity, memory and experience; and draws on history, mythology and personal records to create works which resonate with emotional intensity.

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Camille Monet, Monet's Muse


Camille Doncieux (15 January 1847 - 5 September 1879) was the first wife of French painter Claude Monet. She was the subject of a number of paintings by Monet, as well as Pierre-Auguste Renoir and Édouard Manet. She was mother to two sons with Monet.



She modeled for her husband on several occasions, including for the painting Camille (The Woman in the Green Dress), which received critical acclaim at the Paris salon and earned him 800 francs when sold to Arsène Houssaye.
In addition to being Monet's favoured model, she also modelled for Pierre-Auguste Renoir and Édouard Manet.



Camille Doncieux (15 gennaio 1847 - 5 settembre 1879) fu la prima moglie del pittore francese Claude Monet. È stata oggetto di numerosi dipinti di Monet, oltre a Pierre-Auguste Renoir e Édouard Manet. Era madre di due figli con Monet.
Ha modellato per il marito in diverse occasioni, anche per la pittura Camille (La donna nel vestito verde), che ha ricevuto il plauso della critica al salone di Parigi e gli è valsa 800 franchi quando è stata venduta ad Arsène Houssaye.
Oltre ad essere la modella favorita di Monet, ha anche modellato per Pierre-Auguste Renoir ed Édouard Manet.