Luigi Bartolini | Colors /Colori

Black, you are Black Hell, its dark portals,
the arch of Styx, the shadow of evening, the breath of night,
the dismal quilt that lastly shrouds our bodies;
black, color and bestower of Death.

Red, you of all colors are the youngest,
before you all sadness fades away and is put to flight;
color of fragrant blooms, of burning lips,
you are the soul of the senses, oh earthly color!

John Burden, 1943

Burden: "In painting my job is to peel away the never ending layers that describe us. Like the archeologist, I use hard won skills. But what I uncover has been waiting – forever. I've been sharpening my skills by drawing, painting, or designing just about every day for the past forty years, or more".

Visual arist P. John Burden is a classically trained Canadian and British subject. Burden's work includes original acrylic paintings, watercolour paintings, and traditional and modern artist’s prints.

His art is symbolic or surrealist, using representational skills from a lifetime of drawing, painting, design. John Burden also illustrates books for all ages and has work in collections worldwide.

Classically trained in printmaking and painting, etc, at City and Guilds, London, U.K. where he was awarded the rare Certificate of Exceptional Merit.

Catherine Calcagni: Mi crolla addosso la notte

Mi crolla addosso la notte

"your wild kiss in the dark" che...

in assenza di te

sprofonda e avanza

dentro di me...

Mara Light

Filippo Palizzi | Pastore addormentato con il suo cane, 1850-1855

Filippo Palizzi (1818-1899) con il fratello Giuseppe, rappresenta il primo tentativo di un indirizzo verista nella pittura italiana dell'Ottocento.

Sulla scia della Scuola di Posillipo e di una spontanea inclinazione orientò il suo lavoro verso una dettagliata osservazione del vero.

Fu tra i primi pittori a interessarsi di fotografia ed a praticarla, sulla base di conoscenze tecniche molto approfondite.

Filippo Palizzi | Verist painter

Filippo Palizzi (1818-1899) was an Italian painter. Filippo Palizzi was born in Vasto (Chieti).

He moved to Naples in 1837 and enrolled at the Royal Institute of Fine Arts, but withdrew after a few months to attend the private school of the painter Giuseppe Bonolis.

Contact with his brother Giuseppe, who moved to France in 1844, introduced him to the painting of the Barbizon School.

Tanvi Pathare | Figurative painter

Tanvi Pathare, born in Mumbai, India, showed a growing interest in the fine arts since a very early age.

She graduated with honors from the prestigious Sir J. J. School of Art in Mumbai where she received a Bachelors of Fine Arts in Painting.

Following the allure of the realistic tradition of painting from nature, Tanvi attended The Florence Academy of Art, Florence, Italy, graduating from the Painting Program in 2012.

Lionel Percy Smythe | Victorian landscape watercolors painter

Lionel Percy Smythe (1839-1918) was Wyllie's older half-brother and the eldest of three illegitimate children that their mother, Katherine Benham, a singer, had with Percy Smythe, 6th Viscount Strangford (though the family always claimed a marriage).

He was born in London on 4 September 1839 and spent his early years in France, where his younger sister and brother were born, though the family returned to London in 1843 and lived in Gloucester Crescent, Camden.

Leonardo da Vinci | Differenza tra la Pittura e la Scultura

Trattato della Pittura

Parte prima | Capitolo 32

Leonardo da Vinci | Trattato della pittura | Testo Integrale

Tra la pittura e la scultura non trovo altra differenza, senonché lo scultore conduce le sue opere con maggior fatica di corpo che il pittore, ed il pittore conduce le opere sue con maggior fatica di mente.

Provasi cosí esser vero, conciossiaché lo scultore nel fare la sua opera fa per forza di braccia e di percussione a consumare il marmo, od altra pietra soverchia, ch'eccede la figura che dentro a quella si rinchiude, con esercizio meccanicissimo, accompagnato spesse volte da gran sudore composto di polvere e convertito in fango, con la faccia impastata, e tutto infarinato di polvere di marmo che pare un fornaio, e coperto di minute scaglie, che pare gli sia fioccato addosso; e l'abitazione imbrattata e piena di scaglie, e di polvere di pietre.