Edward McCartan | Isoult, 1926

Edward Francis McCartan (August 16, 1879 - September 20, 1947) sculptor, was born in Albany, New York, the son of Michael McCartan, an Irish immigrant merchant of limited means, and Anna Hyland. McCartan began to draw instinctively at age five or six and by age ten had modeled a lion in clay. In his teens he entered Pratt Institute in Brooklyn, New York, and studied with Herbert Adams.

Donatello | The bronze David, 1440

David is the title of two statues of the biblical hero by the Italian early Renaissance* sculptor Donatello*, an early work in marble of a clothed figure (1408-09)*, and a far more famous bronze figure and dates to the 1430s or later. Both are now in the Museo Nazionale del Bargello in Florence.

Benvenuto Cellini | Saliera or Salt Cellar, 1540-1543

The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. The Cellini Salt Cellar depicts a male figure representing the sea and a female figure that represents the earth. A small vessel meant to hold salt is placed next to the male figure. A temple-shaped box for pepper is placed next to the female figure.

Francesco Primaticcio | Ulysses and Penelope, 1563

Francesco Primaticcio, also called Bologna, Le Primatice, or Primadizzi (born April 30, 1504, Bologna, Emilia [Italy]-died 1570, Paris, France), Italian Mannerist painter, architect, sculptor and leader of the first school of Fontainebleau.

Primaticcio was first trained as an artist in Bologna, under Innocenzo da Imola and later Bagnacavallo.

He also studied with Giulio Romano and assisted him in his work on the decorations of the Palazzo del Te in Mantua.

Daniele da Volterra | Unfinished portrait of Michelangelo, 1544

Michelangelo Buonarroti (1475-1564)🎨

Artist: Daniele da Volterra (Daniele Ricciarelli🎨) (Italian painter🎨, Volterra 1509–1566 Rome)

Date: probably ca. 1544

Medium: Oil on wood

Dimensions: 34 3/4 x 25 1/4 in. (88.3 x 64.1 cm)

Classification: Paintings

Credit Line: Gift of Clarence Dillon, 1977

Accession Number: 1977.384.1

Daniele da Volterra | Mannerist style painter / sculptor

Daniele da Volterra - Presentation of the Virgin

Daniele Ricciarelli da Volterra (1509-1566) was born in Volterra, a town in Tuscany, the painter and sculpture became known as Daniele da Volterra. He was a mannerist artist best remembered for his work in connection to Michelangelo (1475-1564).

Before befriending Michelangelo, Volterra studied in Siena with Giovanna Antonio Bazzi, called Il Sodoma (1477-1549) and Baldassare Peruzzi (1481-1537), and then with Piero Buonaccorsi, called Perin del Vaga (1501-1547). During this time he helped to complete works in the Palazzo Massimo alle Colonne in Rome, as well as in the Trinitá dei Monti and the San Marcello al Corso.

Volterra’s commission for the Orsini Chapel in the Trinitá dei Monti, were frescos he did based on drawings by Michelangelo.

Pierre-Gérard Langlois | Abstract painter

Born in 1940 and died young, at fifty four years, in 1994, Pierre-Gérard Langlois was an French painter and lithographer. He signed some of his work the pseudonym G. Duroc.
He graduated from the Modern Arts School of Paris, then he attended the Academy of Beaux-Arts at Rouen and followed courses at the Ecole du Louvre. He had his first personal exhibition in 1965, in Paris at the Champs Elysées Théatre.

Rembrandt | Musical Company, 1626

The subject of this painting is a mystery: is it an exhortation to praise God through singing and string music, or a scene of seduction with the old woman as a procuress?

In any case, in this early work Rembrandt used elements from his own surroundings: his mother modelled for the old woman, and Rembrandt’s own features can be recognized in the young man. | Rijksmuseum, Amsterdam

Rembrandt | Musical Company, 1626 | Rijksmuseum, Amsterdam

On the face of it, the theme of Music Allegory is straightforward enough: a music party in an interior, a common subject in Dutch art, though one to which Rembrandt himself would never return.

Three figures - a seated young woman singing, a man playing a bass gamba and a standing youth playing the harp - make music while an older woman listens on.