Édouard Manet al Metropolitan Museum

Una presentazione delle principali opere di Édouard Manet nelle collezioni del Metropolitan Museum of Art di New York (NY)

Edgar Degas al Metropolitan Museum

Una presentazione delle principali opere di Edgar Degas nelle collezioni del Metropolitan Museum of Art di New York (NY).

Judy Drew, 1951 | Still life

Renowned Australian artist Judy Drew was born in 1951, graduating from Melbourne's Prahran College of Art in 1970.

From the time she purchased her first set of Schminke pastels there was an immediate connection with the medium.

"When I started to use pastels, I began to study the pastel artists of the Post Impressionist period - in particular Degas. Degas' portraiture with its delicate line work, tendency towards understatement and often spare use of colour appealed to me".

Andrey Aranyshev / Андрей Аранышев, 1956

Андрей Аранышев is a unique painter known not only in Russia, but also in many countries of the world.

It is possible to say, that to some extent his artistic gift passed to him from ancestors. His great-grandfather - Dmitry Mitrofanovich Kucherenko - was a well-known violinist and opened the first musical school in Yaroslavl.

The brother of the great-grandmother - Grigory Vasilevich Sarenko - was the architect who has designed many famous buildings of Yaroslavl, including a building of former hotel "Bristol" and fire depot on the Red Square.

The artist’s works are remarkable for interesting forms, harmony of color scale and a variety of images, especially the portraits.

In each image individuality and mood are distinctly read through, whether it is a fabulous mythological hero - Dionisis, Silen, the goddesses, disposing a string of destiny, - or characters from real life or the artist’s imagination.

Andrea Kemp, 1981 | Figurative painter

Andrea Kemp was born in Glenwood Spring, Colorado.

Education

2001-2002 Bachelor of Fine Arts, University of Utah.

1999-2001 Lyme Academy of Fine Arts, Old Lyme, CT.

"I began painting seriously around the age of 15, but before then I had always loved to create. Art was one of the few things that could hold my attention for a long period of time. Sketching was my frequent pastime. It is hard to remember exactly when painting became such a huge driving force in my life. It crept up on me in such a gradual way which makes it hard to remember the exact beginning. What I do know is that after meeting a few local artists, who were professionals locally and nationally, my love for painting and drawing became more of a reality".

John Dickson Batten [1860-1932]

- The Garden of Adonis - Amoretta and Time, 1887

The subject of Batten's painting is taken from Book III of Edmund Spenser's "The Faerie Queene", which is devoted to the legend of Chastity. The twins Amoretta and Belphoebe were the daughters of the nymph Chrysogone. The two babies were adopted, Belphoebe by the goddess of the hunt Diana, and Amoretta by Venus, goddess of love. Venus conveyed Amoretta to the Garden of Adonis, her `joyous Paradise', the flowers of which "dame Nature doth her beautify, and decks the girlonds of her Paramoures". However, even here the "faire flowre of beautie fades away, as doth the lilly fresh before the sunny ray", for:

Great enimy to it, and to all the rest
That in the Gardin of Adonis springs,
Is wicked Tyme; who with his scyth addrest
Does mow the flowring herbes and goodly things,
And all their glory to the ground downe flings,
Where they do wither, and are fowly mard:
He flyes about, and with his flaggy winges
Beates downe both leaves and buds withourt regard,
Ne ever pitty may relent his malice hard.

In this garden Amoretta was brought up by Psyche, and "trained up in trew feminitee" and "goodly womanhead",

In which when she to perfect ripenes grew,
Of grace and beautie noble Paragone,
She brought her forth into the worldes vew,
To be th'ensample of true love alone,
And Lodestarre of all chaste affection
To all fayre Ladies that doe live on grownd.
To Faery court she came; where many one
Admyred her goodly haveour, and fownd
His feeble hart wide launched with loves cruel wownd.

Daniel Sprick, 1953

Lucien-Victor Guirand de Scevola (1871-1950)

Head of a Lady in Medieval Costume, 1900