Jeremiah Stermer, 1946 ~ Surrealist photographer

'I call myself a realist/surrealist, though I think of my brand of surrealism as being grounded in tradition. At the age of eleven I taught myself how to paint in oils. After a life-changing NDE out-of- body experience when I was 30, I want my art to allude to that sampling of nirvana. I appreciate when someone says my work looks like a photograph, but my goal is for everything to look and feel real, to go beyond the purely visible. I pay a lot of attention to the air around everything. I apply colors in layers in thin flat relief leaving virtually no evidence of brushstroke. The most important aspect of my work is MOOD.

My works are in various renowned collections around the country. I have been represented in galleries in Bethesda, Chevy Chase and Baltimore, Maryland. South Hampton, and New York City, New York. Wellesley, Massachusetts. Naples and Palm Beach, Florida. I have two pieces in the collection of a well known television and movie actor, and am in the permanent collection of The Hickory Museum of Art, Hickory, North Carolina. I have several pieces in ‘The World’s Top 200 Collections’. I have given numerous lectures and demonstrations on realistic oil painting and surrealism at various institutions in Maryland.

Paul Klee: "L'arte è quello che c'è fra il colore e la tela"

'I colori, come i lineamenti, seguono i cambiamenti delle emozioni'. Pablo Picasso

Eric Wert, 1976 ~ Hyperrealist Floral Still Life painter

Eric Wert was born in Portland, Oregon. He received a BFA from the School of the Art Institute of Chicago and an MFA from Northwestern University. He currently paints full time from his studio in Portland.
His work has been shown across the U.S. and in Europe. In the last decade, he has had ten solo exhibits and has participated in over fifty group exhibitions. He has been featured in numerous publications, including American Art Collector, New American Paintings and Artists Magazine. Public collections include the New Britain Museum of American Art, in Connecticut, and the Illinois State Museum. 'I want to create an image that one can be lost within. To me, still life painting is about looking intensely, about intimately exploring a subject. I hope that the paintings can convey that sense of intensity and fascination'.

Victor Charreton | Post-Impressionist painter

Victor Charreton (1864-1936) belongs to a generation of artists who devoted themselves to ‘le paysage’, just like the Impressionists did before them, paying attention to the influence of seasons, light and colours. Furthermore, he traveled extensively and together with his wife, he visited Italy, Germany, The Netherlands, Belgium, England, Spain and Marocco.
His evolution tended towards a use of richer and brighter colours, notably in the mauves and violets which characterize his style. Victor Charreton is famous for his landscapes and still-life paintings, often sharing Impressionist preoccupations whilst trying to capture momentary effects of specific times of day or seasons, at sunset or in a snowy landscape.

John Murray | Abstract painter

John Francis Murray is an American painter, known for working in the Abstract style. His subject matter includes figure, landscape, still-life and portraiture. Inspired by the classical masters as a boy, his traditional training and artistic development has lead to work of quality. His paintings carry an appealing sense of clarity and color.

As a classically trained artist, Murray's choice for subject matter revolves around figure, still-life, portrait and landscape. His work is a combination of traditional subject matter, infused with bold brushwork and contemporary compositions.

Vincent Van Gogh | In the springtime a bird in a cage

In the springtime a bird in a cage knows very well that there’s something he’d be good for; he feels very clearly that there’s something to be done but he can’t do it; what it is he can’t clearly remember, and he has vague ideas and says to himself, "the others are building their nests and making their little ones and raising the brood", and he bangs his head against the bars of his cage. And then the cage stays there and the bird is mad with suffering. "Look, there’s an idler", says another passing bird - "that fellow’s a sort of man of leisure".

A primavera un uccello in gabbia sa bene che c'è qualcosa a cui potrebbe servire, sente benissimo che ci sarebbe qualcosa da fare, ma non ci può far nulla, e cos'è questo? Non si ricorda bene, ha idee vaghe e dice: "Gli altri fanno i loro nidi e portano fuori i loro piccoli e li cibano" e poi sbatte il suo capino contro le grate della gabbia. Ma la gabbia resiste e l'uccello impazzisce dal dolore. "Guarda che fannullone", dice un altro uccello che passa lì davanti, "quello è un tipo che vive di rendita".

Loren D. Adams, 1945 | Surrealist painter

American Loren D. Adams, Jr. was born in Linton, Indiana.

He developed a profound interest in painting at the age of nine years old. One of these very early original Art-works found it's way into a major retrospective exhibition at the prestigious R.W. Norton Art Gallery, a Museum of Early American, European and Contemporary Fine Art in Shreveport, Louisiana in February of 1979.

His first public exhibit was at the Roseville Museum, Roseville, California in 1967. This was the same year he quit his day job as an emergency room L.P.N. to devote full time to his Art. The young Artist began to chase after his dream to become a Master.

Holly Sierra ~ American Magic realism painter

Whether wandering through the forest or exploring an ancient crumbling castle, Holly Sierra finds inspiration all around her. Holly has been drawn to painting things ‘mystical and magical’ for as long as she can remember. After her fine art education at SUNY Purchase in NY, the next decade found Holly living and traveling extensively in Asia. She now blends her marvelous multicultural memories with themes that influence and fascinate her today.