Albert Carrier-Belleuse | Chryselephantine sculpture

Carrier-Belleuse is the name used by this sculptor -born Carrier de Belleuse- on his mature pieces, after initially signing works "A. Carrier". His career began firmly in the applied arts, with his apprenticeship at thirteen to a Parisian ciseleur today known as Bauchery (or Beauchery), and he did subsequent work for Jacques-Henri Fauconnier and Fannière Frères. His formal education took place at the Petite Ecole - chosen after an unhappy stint at the Ecole des Beaux-Arts in 1840 under the direction of David d'Angers, his official master.

While at the Petite Ecole in the 1840s, Carrier-Belleuse began his lifelong practice of providing commercial houses with models for edition, as statuettes or as ornament for functional pieces. Around 1850, the sculptor moved to England as a designer for Minton China Works, at Stoke-upon-Trent, as well as for Wedgewood, Coalbrookdale Ironworks, and Graham Jackson furniture makers.

Even after returning to Paris in 1855, he continued to send models to British firms throughout his life.

He began to garner acclaim as a fine-arts sculptor after ten years of showing in the Salon, beginning with two portrait medallions in 1850 and a flurry of busts and groups with mythological or historical subjects between 1857-1861, the latter of which earned him a third-class medal.

Catherine Calcagni | Ed intanto fuori piove..

Assorta nella penombra

delle pagine gialle della mia vita

mi siedo con l'abbandono

con le mani raccolgo il vuoto

e mi conforta la pena

non guardo fuori...

sento solo....confesso

il rigurgito fuso delle mie angosce

eppur..... c'era il sole

Jeremy Mann

The fountain of the Four Rivers / La Fontana dei Quattro Fiumi, 1651

Quattro enormi allegorie sedute in pose contrastanti agli angoli delle rocce in marmo bianco che rappresentano i maggiori fiumi di ciascuno dei quattro continenti noti, secondo le cognizioni geografiche del XVII secolo:

Il Danubio per l'Europa, scolpito da Antonio Raggi;

Il Gange per l'Asia di Claude Poussin;

Il Rio della Plata per l'America di Francesco Baratta;

Il Nilo per l'Africa di Antonio Fancelli.

Will Barnet | Abstract painter

American painter and printmaker Will Barnet (1911-2012) has lived through every major artistic school in modern American art.

He can remember watching John Singer Sergent paint murals on the ceiling of the Boston Public Library in the 1920s, and being the printmaker in New York for Mexican muralist José Clemente Orozco.

He remembers the explosion of Abstract Expressionism that would come to define the so-called New York School of artists.

Alda Merini / Michelangelo | Bambino..

Bambino,

se trovi l'aquilone della tua fantasia

legalo con l'intelligenza del cuore.

Vedrai sorgere giardini incantati

e tua madre diventerà una pianta

che ti coprirà con le sue foglie.

Michelangelo Buonarroti | La Madonna di Bruges 1503-1505

Edgar Allan Poe | Il Corvo, la poesia illustrata da Manet

Il Corvo - The Raven - ed altre poesie è una raccolta di poesie scritte da Edgar Allan Poe (1809-1849), scrittore, poeta, critico letterario, giornalista, editore, storyteller e saggista statunitense, considerato tra le figure più importanti della letteratura americana, inventore del racconto poliziesco, della letteratura horror e del giallo psicologico, finisce per diventare anche uno dei rappresentanti maggiori del racconto gotico.

Il Corvo fu pubblicato per la prima volta il 29 gennaio 1845, sul New York Evening Mirror.

Édouard Manet 1832-1883 | Illustration for The Rave by Edgar Allan Poe

Richard Baxter, 1966

Richard Baxter is an Australian painter, photographer and digital artist.

These three aspects of visual art constantly interweave for me, and I don't like to create borders between them as they all enhance each other in different ways.

The main, simple message in all my recent work is that life is joyous and explosive, here and now in the present, amidst the ordinary, amongst the flowers and the garbage.

Yannick Bouchard, 1982 | Surrealist / Symbolist painter

I am not claiming myself as a "surrealist artist", but my art is undeniably marked by their influence.

I was also very impressed by some notable fantasy artists, as well as erotic artists; the way they depict beauty and sensuality, and how they bring grandiose imaginary worlds to life.
Overall, my paintings are more or less a mixture of all those types; surrealism, fantasy with a touch of symbolism and even sometimes macabre.

But most of all, my paintings are images resulting of my inner thoughts and feelings; they are the expression of my love for the human body, the inspiring curves of femininity, as well as the superphysical side of the human mind, the mystical and the magical, or just very simple little things, like textures, colors and nature.

They are not intellectual pieces. They don't depict sophisticated and complicated opinions and cryptic theories.

Their essence is to stimulate the imagination and guide viewers where only they want to go. Mostly, I paint for myself; I paint what I want, I paint what I like, what moves me, what I feel and what I am.