The fountain of the Four Rivers / La Fontana dei Quattro Fiumi, 1651
Quattro enormi allegorie sedute in pose contrastanti agli angoli delle rocce in marmo bianco che rappresentano i maggiori fiumi di ciascuno dei quattro continenti noti, secondo le cognizioni geografiche del XVII secolo:
Il Danubio per l'Europa, scolpito da Antonio Raggi;
Il Gange per l'Asia di Claude Poussin;
Il Rio della Plata per l'America di Francesco Baratta;
Il Nilo per l'Africa di Antonio Fancelli.
Will Barnet | Abstract painter
American painter and printmaker Will Barnet (1911-2012) has lived through every major artistic school in modern American art.
He can remember watching John Singer Sergent paint murals on the ceiling of the Boston Public Library in the 1920s, and being the printmaker in New York for Mexican muralist José Clemente Orozco.
He remembers the explosion of Abstract Expressionism that would come to define the so-called New York School of artists.
Edgar Allan Poe | Il Corvo, la poesia illustrata da Manet
Il Corvo - The Raven - ed altre poesie è una raccolta di poesie scritte da Edgar Allan Poe (1809-1849), scrittore, poeta, critico letterario, giornalista, editore, storyteller e saggista statunitense, considerato tra le figure più importanti della letteratura americana, inventore del racconto poliziesco, della letteratura horror e del giallo psicologico, finisce per diventare anche uno dei rappresentanti maggiori del racconto gotico.
Il Corvo fu pubblicato per la prima volta il 29 gennaio 1845, sul New York Evening Mirror.
Édouard Manet 1832-1883 | Illustration for The Rave by Edgar Allan Poe
Richard Baxter, 1966
Richard Baxter is an Australian painter, photographer and digital artist.
These three aspects of visual art constantly interweave for me, and I don't like to create borders between them as they all enhance each other in different ways.
The main, simple message in all my recent work is that life is joyous and explosive, here and now in the present, amidst the ordinary, amongst the flowers and the garbage.
Yannick Bouchard, 1982 | Surrealist / Symbolist painter
I am not claiming myself as a "surrealist artist", but my art is undeniably marked by their influence.
I was also very impressed by some notable fantasy artists, as well as erotic artists; the way they depict beauty and sensuality, and how they bring grandiose imaginary worlds to life.
Overall, my paintings are more or less a mixture of all those types; surrealism, fantasy with a touch of symbolism and even sometimes macabre.
Overall, my paintings are more or less a mixture of all those types; surrealism, fantasy with a touch of symbolism and even sometimes macabre.
But most of all, my paintings are images resulting of my inner thoughts and feelings; they are the expression of my love for the human body, the inspiring curves of femininity, as well as the superphysical side of the human mind, the mystical and the magical, or just very simple little things, like textures, colors and nature.
They are not intellectual pieces. They don't depict sophisticated and complicated opinions and cryptic theories.
Their essence is to stimulate the imagination and guide viewers where only they want to go. Mostly, I paint for myself; I paint what I want, I paint what I like, what moves me, what I feel and what I am.
Kent R. Wallis | Romantic Impressionist painter
Kent R. Wallis, born in Ogden, Utah, began his formal art endeavors rather late compared to most other artists.
He received his Bachelors' and Masters' degrees from Utah State University in Business Administration in 1969; after which he was employed by the B. F. Goodrich Company in Akron, Ohio.
He worked for six years in the fields of marketing and finance. During that 6-year experience, personal feelings kept reoccuring that his career was not fulfilling his creative needs.
With his sense of frustration growing, in January of 1975 he renewed an old hobby that had been abandoned years earlier but which he had enjoyed during his young life--drawing and painting. He did so in an effort to sharpen his creative faculties and give more purpose to his free time.
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