Michel Rauscher, 1957 | Abstract Figurative painter

Michel Rauscher painter and photographer, born in Alsace is a passionate autodidact. Great traveler, he takes his endless curiosity in regions, on land that fascinated him in search of color, light and authenticity, with a predilection for the African continent.
His need for discovery and the interpretation of dreams become sources of inspiration for his painting. It evokes the beauty of the everyday magic of ordinary, the emotion of the moment. He expresses his artistic sensibility with timeless themes, stylized characters in cracked places, evocative and poetic silhouettes causing emotion and enthusiasm.

Jacqueline Osborn | Stories on canvas

British painter* Jacqueline Osborn captures strong, graphic and compelling images in her present series of paintings entitled Moments in Time.
Although Jacqueline has lived in California for half of her life she admits that England will always be home to her and that she is fortunate that she can return fairly often.
Her work communicates precious every-day moments that tell a story of another era, place and generation. Her warm and restrained palette suggests a mood of times gone by - out of reach, elusive moments that are captured on her canvases.

Mary Jane Cross, 1951 | Figurative painter

Born in 1951, American painter* Mary Jane Q. Cross received her formal training at the Worcester Art Museum, in 1970-1973 in a time of Expressionism.

Followed by workshops with Daniel Green and mentoring with Fran Hoyt (student of Vincent Dumond), Mary Jane designed her own curriculum based on the Atelier System, to gain the tools necessary to make her art speak with historic purity, and her own unique voice.

Amy Brown, 1972 | Forest Spirit

Amy Brown is the first Fairy Artist in America. Amy Brown was born in Bellingham, Washington.

As a child she spent countless hours drawing fairy princesses at an old, dark wood table in the living room of the beach cabin her parents rented.

The doodling continued throughout her adolescence and at the age of 21 she began to take her art seriously, specializing in painting the fairy realm.

Amy started working with water-colors and found a deep love for the translucent qualities of the paint.

Sculture di ghiaccio e Neve ad Harbin

John Keats / Aldo Luongo | You say you love / Dici di amarmi

Dici di amarmi, ma con una voce

più casta di quella di una suora che canta

il tenue Vespro della sera a se stessa,

mentre suona la campana a festa...

Please, amami sul serio!

You say you love; but with a voice

Chaster than a nun's, who singeth

The soft Vespers to herself

While the chime-bell ringeth -

O love me truly!

Dici di amarmi, ma con un sorriso

freddo come un'alba di settembre,

come se fossi la suora di San Cupido

nella settimana di astinenza.

Please, amami sul serio!

You say you love; but with a smile

Cold as sunrise in September,

As you were Saint Cupid's nun,

And kept his weeks of Ember.

O love me truly!

Édouard Manet | Quotes /Aforismi

• Everything is mere appearance, the pleasures of a passing hour, a midsummer night's dream. Only painting, the reflection of a reflection - but the reflection, too, of eternity - can record some of the glitter of this mirage.
• A painter can say all he wants to with fruit or flowers or even clouds.
• A good painting is true to itself.
• - In una figura, cercate la grande luce e la grande ombra, il resto verrà da sé.
• - Si vede come si vuol vedere, ed è questa falsità che costituisce l'arte.
• - Dobbiamo ammaliare la verità, darle l'apparenza della follia.
• - Un quadro è una combinazione originale delle linee e dei toni che si mettono in evidenza.

Sir William Russell Flint | Watercolour painter

British painter and illustrator Sir William Russell Flint (1880-1969) was known especially for his watercolour paintings of women. He also worked in oils, tempera and printmaking. He was born in Edinburgh. From 1894-1900 Flint apprenticed as a lithographic draughtsman while taking classes at the Royal Academy of Art, Edinburgh.

From 1900-1902 he worked as a medical illustrator in London while studying part-time at Heatherley's Art School. He furthered his art education by studying independently at the British Museum. He was an artist for the Illustrated London News from 1903-1907, and produced illustrations for editions of several books, including Chaucer's The Canterbury Tales, 1912.