Frédéric Dufoor, 1943

Born in Tournai, Belgian painter Frédéric Dufoor attended the Institute of Saint-Luc in Tournai and also the Academy of Mons. After a brief Bohemian interlude, he was enrolled with the studio of Louis Van Lint, at Saint-Luc in Brussels. In 1967, he went on to teach at the Superior Institute for Graphic Communications for 10 years, then held the post of professor at Saint-Luc in Brussels until December 1998. Initially, briefly influenced by his professors, he developed his art as an aesthetic one, spare, to the limits of abstraction.

Giorgio de Chirico: "L'arte deve creare sensazioni sconosciute in passato"..

"Non è forse la vita una serie d'immagini, che cambiano solo nel modo di ripetersi..?" Andy Warhol

Amy Brown | Fantasy Art

Amy Brown - American painter - 'I have been painting faeries since 1992, no formal art training, am older than I look, married with 2 children, hate to cook, like to stay at home, do not like attention, can't stop buying clothing, don't like coffee because I think it tastes icky and even small amounts make my skin feel like its going to vibrate off my bones, and usually get up before the sun.

Tools of the Trade: Daniel Smith Extra Fine Watercolors, Arches Bright White 300lb hot press watercolor paper, Pigma Micron ink pens, PITT Artist Pens, Prismacolor colored pencils, Winsor and Newton Gouache, Daniel Smith Series 23 watercolor brushes, table salt, isopropyl alcohol, mechanical pencil'.

Leonardo da Vinci | Differenza che ha la pittura con la poesia

Trattato della Pittura - Parte prima /16

La pittura è una poesia che si vede e non si sente, e la poesia è una pittura che si sente e non si vede.

Adunque queste due poesie, o vuoi dire due pitture, hanno scambiati i sensi, per i quali esse dovrebbero penetrare all'intelletto.

Perché se l'una e l'altra è pittura, devono passare al senso comune per il senso più nobile, cioè l'occhio; e se l'una e l'altra è poesia, esse hanno a passare per il senso meno nobile, cioè l'udito.

Beatrice Bissara, 1972 | Figurative sculptor

Beatrice Bissara is a painter and sculptor native to Paris, France. From a young age, Beatrice Bissara evolving in the world of art. His childhood was rocked by the museum visits, walks Flea and the atmosphere of the auction rooms auction. Thus accompanying his father with a passion for ancient art, she already forged her taste for classical beauty.

Yet although never be away from this familiar world, it will take a few years to discover a true creative vocation.

After graduation, MSG Dauphine, Master of Political Science and Master of art history at the Sorbonne, during the evening of the Ecole du Louvre; she worked successively at an expert on modern and contemporary paintings and with a modern art dealer, and finally at Sotheby’s in the expertise of old paintings, particularly of the 17th and 18th centuries.

Amy Brown, 1972 | Faeries

American painter Amy Brown, born in Bellingham, Washington, is a popular Fantasy and Fairy artist.

Her career began in the 1990s, and today her watercolor designs appear on t-shirts, calendars, and buttons and people have been using her images for tattoos.

Two books of her artwork have been published, The Art of Amy Brown and The Art of Amy Brown II.

Ben Fenske, 1978

American painter Ben Fenske was born in Minnesota. He first studied painting and drawing in Minneapolis with Peter Bougie and Joseph Paquet and later in Italy at The Florence Academy of Art.
He is an avid portrait and landscape painter working in New York and Italy. Ben Fenske’s career and work have evolved greatly since our last catalogue in 2009. The promise of years passed has come to fruition, as fleeting sketches have become fully finished large canvases. Fenske's work has become richer, more colorful, and most importantly, the compositions have become more resolved. As you can see by the interiors, landscapes and figurative paintings, Fenske continues to be inspired by the world that he inhabits.

Arturo Samaniego

American painter Arturo Samaniego living and working in Naples, Florida. After years of figurative and portrait work, Samaniego has developed a style and a set of themes that suit his interest, and allow him to flex his creative muscles. Over the last few years his subject matter has become what he calls “contemporary still life”. The artist explains, “I am always inspired and challenged by the representational tradition of realism in oil painting, and I am equally intrigued by the energy and freedom of contemporary art.
For this reason, my still lifes employ a careful execution in a realistic style, and also combine contemporary compositional elements, such as close-ups, sparse setups, clean lines, and the like”.