Alonso Pereira | Abstract Figurative painter

In a rigorous process of intense personal research and deep thought, through the use of oil painting technique have created a work in which within a timeless space appear diverse reminiscent forms as the focal point which seek a balance that erases the borderline between the figurative and abstraction, thus this way enveloping and submerging the spectator in an imaginary universe of forms, textures, hues of grays and brow-ochres, signs which have multiple possibilities of interpretation according to each spectator’s personal universe.

Winslow Homer | In Autumn Woods

Winslow Homer (1836-1910) is regarded by many as the greatest American painter of the nineteenth century.

Born in Boston and raised in rural Cambridge, he began his career as a commercial printmaker, first in Boston and then in New York, where he settled in 1859.

He briefly studied oil painting in the spring of 1861.

In October of the same year, he was sent to the front in Virginia as an artist-correspondent for the new illustrated journal, Harper's Weekly.

Alan Fearnley, 1942 ~ Retro and Classic Car

Alan Fearnley, British painter, is known for his superb paintings of motor racing and Formula One around the world. Fearnley was born in Yorkshire, and studied at Batley College of Art. His early works established Alan as an artist of unique talent and quality. Over the past 30 or so years Alan had built up a wealth of subject matter, starting with landscapes and moving later into his well known transport and motor racing paintings, the work that started to flow reflected not only his special skills, but also his love and passion for both motoring and motor sport.

Lesley Anne Derks, 1977 | Cityscape painter

Lesley-Anne Derks, Scottish painter, was born in Scotland (Falkirk) and spent her childhood growing up in the industrial town of Grangemouth, with companies such as BP and ICI dominating the skyline with their buildings and plants, lighting up the sky at night with their orange glow. While at school it was this orange glow that would appear in some of her early paintings.

Leonardo Da Vinci | Il Trattato della pittura

"Credo che, invece che definire che cosa sia l'anima, che è una cosa che non si può vedere, molto meglio è studiare quelle cose che si possono conoscere con l'esperienza, poiché solo l'esperienza non falla.

E laddove non si può applicare una delle scienze matematiche, non si può avere la certezza",

scriveva il grande Leonardo Da Vinci 1452-1519.

Oggi esistono oltre 8.000 fogli di appunti, più di 16.000 pagine, con molte decine di migliaia di disegni lasciati da Leonardo, ma si ritiene che siano solo una piccola parte di ciò che ha scritto e disegnato.

La Monna Lisa di Afghanistan

Lo sguardo enigmatico della Ragazza Afgana [The Afghan Girl] dagli occhi verde ghiaccio, considerata La Monna Lisa dell'Afghanistan, è diventata l'icona della condizione dei profughi in tutto il mondo.
Facente parte del celeberrimo reportage di Steve McCurry, questa fotografia è stata scattata nel 1984 al campo profughi Nasir Bagh in Pakistan, vicino alla città di Peshawar, campo che ospitava i rifugiati fuggiti dall'Afghanistan occupato dai sovietici.

Peihang Huang, 1984 | Pop Art

Peihang Huang / 黃沛涵 was born in Taipei, Taiwan and is a full time artist.

Huang uses vibrant oil paints to create these dreamy, saccharine, and occasionally morbid portraits inspired by Barbie Dolls.

Taiwanese young artist Peihang Huang, as a young generation of the land in chaotic situation both cultural and political, her painting tap aim to Taiwan’s history while linking it to global culture by referencing Western Pop culture to portray her feeling about being Taiwanese.

Paul Boswijk, 1959 ~ Figurative painter

Paul Boswijk, Hollandaise painter, studied at the Art Academy Minerva in Groningen. Everything is in the paintings of Paul to the light. Whether in broad strips through a window enters or filtered through leaves on a face schijnt.Interieurs, hotel rooms, café terraces and in recent years also gardens and landscape, are the environments where Paul's models are. Because there are always people in his paintings. They are not portraits in the sense that only the person depicted is but the model is still an essential part of the schilderij. Paul paints a picture and tries here with no story to tell. Symbolism, deep meanings and high thoughts are with him not to be sought, and he is thus a real realist. De last time he works as many wet-on-wet, where previously a more layered technique was gehanteerd. Dit to as directly as possible result to obtain, though without much form and suggestion from losing.