Maillol (1861-1944) began his career as a painter and tapestry designer, but after c. 1900 devoted himself to three-dimensional work, becoming one of the most important sculptors of the 20th century.
He concentrated almost exclusively on the female figure in the round, consciously wishing to strip form of all literary associations and architectural context.
Although inspired by the Classical tradition of Greek and Roman sculpture, his figures have all the elemental sensuousness and dignity associated with the Mediterranean peasant.