Jozef Israëls, (born January 27, 1824, Groningen, Netherlands-died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet).
Israëls was the leader of the Hague School of peasant genre painting, which flourished in the Netherlands between 1860-1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche.
Dutch painter Jan Zoetelief Tromp (1872-1947) was born in Jakarta, where his father worked as an official in the former Dutch East Indies Colony. He was a painter of landscapes and Genre scenes, working largely in oil and watercolor. At an early age he showed great aptitude for drawing and consequently began his artistic training in 1887 with a summer course at the Academy of Fine Art in The Hague. Tromp subsequently continued his studies at the Academy of Fine Arts in Amsterdam, receiving much attention from August Allebé, the director of the Academy.
Nicolaas Johannes Roosenboom was born in Schellingwoude August 23rd, 1805 and he died is Assen, the 1st of March 1880 (The Netherlands). He was a student of Adreas Schelfhout. He travelled to Germany, Belgium, Scotland and Great Brittain. He also visited numerous Dutch towns and villages.
Nicolaas J. Roosenboom worked together with Eugène Verboeckhoven. Painter of summer landscapes, river and town views, but his preference were the winterlandscapes. N. J. Roosenboom was a.o. teachter of F. M. Kruseman. Exhibitions in Amsterdam and The Hague. Works in possession of numerous Dutch museums.
Albert Guillaume (14 February 1873 – 10 August 1942) was a French painter and caricaturist. Born in Paris, France, Albert Guillaume became a leading caricaturist during the Belle Époque. While remembered for his poster art, Guillaume also did oil paintings such as "Soirée parisienne", a portrait of Parisian dinner society. He created theater posters as well as advertising posters that were greatly influenced by the work of one of the preeminent poster painters, Jules Chéret.
Le Pont des Arts/The Bridge of Arts or Passerelle des Arts is a pedestrian bridge in Paris which crosses the River Seine. It links the Institut de France and the central square (cour carrée) of the Palais du Louvre, (which had been termed the "Palais des Arts" under the First French Empire).
Between 1802-1804, under the reign of Napoleon I, a nine-arch metallic bridge for pedestrians was constructed at the location of the present day Pont des Arts: this was the first metal bridge in Paris. The engineers Louis-Alexandre de Cessart and Jacques Dillon initially conceived of a bridge which would resemble a suspended garden, with trees, banks of flowers and benches.
British painter Joe Bowen lives in the heart of mid Wales with his family, amongst rolling hills and valleys which provide a constant source of inspiration.
Joe’s professional painting career spans over 15 years, during which time his work has developed from traditional figurative painting through a number of stages, to the more liberal and vigorous style he now employs.
Jean-Francois Raffaëlli was born in Paris into a bourgeois family in which he enjoyed a privileged childhood until the age of fourteen when a reversal of his father's business fortunes forced him to seek employment. He held a series of jobs before being placed, unwillingly, in a commercial house as a book-keeper at the age of sixteen. While working there, he began to visit the Louvre and to spend his Sundays in the Musée de Luxembourg. His initial artistic interest was in drawing and as he developed this passion, he gave up his job and supported himself by singing in theatres and churches.
Sarah Kidner was born in 1964. After much travelling, Sarah and her family moved to Ontario in 1969. Growing up in Toronto, Sarah was exposed to and inspired by many great art exhibitions from the Group of Seven to the French Impressionists. At the University of Toronto she studied history and philosophy. A love of skiing, hiking and travelling drew Sarah to Banff in 1987. Now living in Alberta with her twin boys, she finds the Rocky Mountains an ideal setting for creative inspiration.
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Hendrik Willem Mesdag, born in a wealthy Groningen family of bankers, worked in his father’s business till the age of thirty-five. After an inheritance of his wife, Sientje van Houten, had rendered him independent, he abandoned his secure position at his father’s bank and followed his artistic ambitions. During a four years stay in Brussels he served his apprenticeship with the famous landscapist Willem Roelofs and grew familiar with the art of the Barbizon School, sharing their fascination for working in the open air (En plein air).
After a stay on the German island Norderney in 1868, Mesdag got fascinated by the sea.
James Wilson Morrice [1865 - 1924] was one of Canada’s first modernist painters. His landscapes, which showed the beauty of the country in a way the world had never seen before, helped form the identity of Canadian art, and his commissioned war scenes brought a new perspective to World War I.
British sculptor Richard Stainthorp captures the beautiful energy and fluidity of the human body using wire. The life-sized sculptures feature both figures in motion and at rest, expressed in the form of large-gauged strands that are densely wrapped around and through one another. By doing this, he gives the work an undeniable presence. Stainthorp also allows the bent wires to shine by keeping their metallic appearance free from any obvious painting or additions.
Polish painter Roman Zakrzewski (1955 in Oświęcim - 25 December 2014) attended the public secondary school of fine arts in Bielsko-Biała. Then he graduated from the Academy of Fine Arts in Cracow, where he received a degree from Jerzy Nowosielski’s studio in 1985. Since he was very young, the artist has shown interest in portraits, which have become the main theme of his artistic work.
British artist Robin Wight uses stainless steel wire to form stunning, dramatic sculptures of winged fairies dancing in the wind. The enchanting forms, which range in size from miniature to life-sized, seem to have a life of their own as they strike dynamic poses, contort their bodies, and hold onto windswept dandelions.
Hossam Dirar was born and raised in Cairo, a city whose rich heritage has been a huge inspiration.
Education:
BA Fine Art, Faculty of Applied Arts, Helwan University, 1995-2000;
Graduated with honours, and won best Graduation project amongst all entries.
Major studies: Graphic Design, Painting, Printmaking, and Mixed Media.
Minor Studies: Product Design, Photography, Multimedia, Textiles and Ceramics.
He is a graduate of Helwan University where he received the highest marks of his year for his graduation project. A multi-disciplinary artist working across painting, photography, installation, video and graphic design.
The Landscape painter John Ottis Adams [1851-1927] was born in Amity, Indiana, a small town south of Indianapolis. He attended Wabash College in 1871, but left a year later for the South Kensington Art School in London to study under John Parker. Adams returned to Indiana in 1876, eventually settling in Muncie.
In 1880 Adams returned to Europe, traveling to the Royal Academy in Munich to study with Gyula Benczúr. In Munich, Adams met two other painters from Indiana, Theodore Clement (T. C.) Steele and William Forsyth. After seven years in Munich, Adams returned to Muncie and opened an art school there with Forsyth. Adams also taught classes in Union City and Fort Wayne, Indiana.
Zbigniew Kopania Henry was born in Lodz, Poland. Having graduated from secondary schools in 1969, he became a student at the state theatrical, television, and film college, the Faculty of Camera-Works. Included among its distinguished alumni is Roman Polanski.
Together with film and photographic activities, he cultivated paintings in the department of Art. The early stage of his painting was under the guidance of Dr. K. Zwolinska and J. Mierzejewski, a renowned painter in Poland and abroad.
