Marc Chagall | The Tree of Life, 1963 | Stained glass

The Tree of Life or The Peace window - La Paix ou L’Arbre de vie - at the chapel of Cordeliers of Sarrebourg, a small town in the Vosges Mountains in France, is a stained-glass window about 15 feet (4,6 meters) wide and 12 feet (3,7 meters) high, contains several symbols of peace and love, such as the young child in the center, being kissed by an angelic face which emerges from a mass of flowers.

The Peace Window / Tree of Life is the largest stained-glass window made by Marc Chagall.

On the left, below and above, motherhood and the people who are struggling for peace are depicted.

Musical symbols in the panel evoke thoughts of Beethoven's Ninth Symphony, which was a favourite of Mr. Hammarskjöld's.

Antonio Nunziante, 1956 | Il maestro della Metafisica

Il pittore Italiano Antonio Nunziante afferma che tra Surrealismo e Metafisica: "c’è una commistione.

Mediamente la metafisica mi da più apertura, nel senso che è una realtà possibile e più vicina a noi.

Il surrealismo invece è qualcosa di estremo, oltre una realtà.

Raramente vado oltre la realtà delle cose, infatti nel contesto della mia espressione apparentemente tutto sembra ben proporzionato e normale, ma non è proprio così".

Scottish painter Jack Vettriano dies aged 73

Scottish painter Jack Vettriano (1951-2025), best known for his painting The Singing Butler, has died at the age of 73.

His publicist said the artist was found dead at his apartment in Nice, in the south of France, on Saturday, 1 March 2025.

It is understood there are no suspicious circumstances surrounding his death.

Wisława Szymborska | Ritratto di Donna / Portrait of a Woman

Deve essere a scelta.

Cambiare, purché niente cambi.

È facile, impossibile, difficile, ne vale la pena.

Ha gli occhi, se occorre, ora azzurri, ora grigi,

neri, allegri, senza motivo pieni di lacrime.

Egon Schiele | Seated Woman with Bent Knees, 1917 | National Gallery of Prague

Women Artists | Sitemap

"Someone, I say, will remember us in the future".

"Qualcuno, dico, si ricorderà di noi in futuro".

Saffo

The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s.

Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?" examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement.

Camille Claudel | L'âge mûr /L'Età matura, 1902