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Henri Lebasque | Afternoon Tea on the Terrace in Sainte-Maxime, 1914

Henri Lebasque (1865-1937) first visited the French Riveria in 1906 at the suggestion of his friend Henri Manguin.
In 1924, Lebasque relocated to the region to permanently take advantage of its unparalleled light.
In the intervening years, the artist who would earn the sobriquet "Painter of Joy and Light" returned often.
In 1914, he brought his family to the town of Sainte-Maxime, about halfway between Cannes and St. Tropez.
Here, he would undertake an idyllic series of family portraits set on the terrace of their waterfront house.

Henri Lebasque | Afternoon Tea on the Terrace in Sainte-Maxime, 1914 | Christie's

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Great paintings from the Clark Art Institute

Adrien Moreau | Contemplation, 1873

The solitary woman in Moreau's painting gazes down toward a duck pond.
Her contemplative expression -and the painting's title- suggest that she has chosen this isolated spot to be alone with her thoughts.
The woman's fashionable city clothes have been painted with a degree of detail that contrasts with the more textured brushstrokes used to describe the surrounding landscape. | Source: © Clark Art Institute

Adrien Moreau (French, 1843-1906) | Contemplation, 1873 | Clark Art Institute

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Maria Martinetti | Orientalist painter

Maria Martinetti (1864-1921) was an Italian painter. She was a student of Gustavo Simoni.
She lived and exhibited in Italy and France.
In 1890 she moved to the United States.
She is known for her genre paintings.


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Claude Monet | Woman in the Garden, Sainte-Adresse, 1867

This is a very early Impressionist work by the group's leader, Claude Monet.
The sunlight which floods the paintings of the Impressionists - who did most of their painting out of doors, directly from nature - here plays the central role.
Monet spent his childhood in Le Havre, which he periodically visited.
The Le Coteaux estate at Sainte-Adresse near Le Havre belonged to Monet's cousin, Paul-Eugene Lecadre.
Settling here in the summer of 1867, the artist painted several landscapes in the garden of the estate, of which "Woman in the Garden" is of central importance.

Claude Monet (1840-1926) | Woman in the Garden, Sainte-Adresse France, 1867 | Source: © State Hermitage Museum

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Edmé Bouchardon | Cupid cutting his bow from the club of Hercules, 1750

Cupid cutting his bow from the club of Hercules (L'Amour se taillant un arc dans la massue d'Hercule) is a marble statue created by the sculptor Edmé Bouchardon (French sculptor, 1698-1762 in 1750 and currently preserved at the Musée du Louvre.

Born at Chaumont, Edmé Bouchardon became the pupil of Guillaume Coustou and gained the Prix de Rome in 1722.
Resisting the barocchetto tendency of the day he was classic in his taste, pure and chaste, always correct, charming and distinguished, a great stickler for all the finish that sandpaper could give.

Edmé Bouchardon | Cupid cutting his bow from the club of Hercules, 1750 (detail) | Musée du Louvre