The Ladies of the Baroque | Part 1

As in the Renaissance Period, many women among the Baroque artists came from artist families. Artemisia Gentileschi is an example of this.

She was trained by her father, Orazio Gentileschi, and she worked alongside him on many of his commissions.

Luisa Roldán was trained in her father's (Pedro Roldán) sculpture workshop.

Artemisia Gentileschi | Judith and her maid with the head of Holofernes, 1613 | Gallerie degli Uffizi, Firenze.

Michaelina Wautier | Baroque painter

Michaelina Wautier, also Woutiers (1604-1689), was a painter from the Southern Netherlands.

Only since the turn of the 21st century has her work been recognized as that of an outstanding female Baroque artist, her works having been previously attributed to male artists, especially her brother Charles.

Wautier was noted for the variety of subjects and genres that she worked in.

This was unusual for female artists of the time who were more often restricted to smaller paintings, generally portraits or still-lifes.

Maria Sibylla Merian | Baroque Era Illustrator

Maria Sibylla Merian (1647-1717) was a German naturalist and scientific illustrator.

She was one of the earliest European naturalists to observe insects directly. Merian was a descendant of the Frankfurt branch of the Swiss Merian family.

Merian received her artistic training from her stepfather, Jacob Marrel, a student of the still life painter Georg Flegel.

Merian published her first book of natural illustrations in 1675.

Elga Sesemann | Expressionist painter

Elga Sesemann (March 28, 1922 - January 21, 2007) was a Finnish post-war neo-romantic painter.

She was an expressionist whose themes often included melancholy, depression, anxiety and loneliness.

Sesemann was born in Viipuri (Vyborg) on the Karelian Isthmus.

Sesemann's family is of German origin and grew up speaking German and Russian.

Pablo Neruda | Ode al primo giorno dell’anno / Ode to the First Day of the Year

Lo distinguiamo dagli altri

come se fosse un cavallino

diverso da tutti i cavalli.

Gli adorniamo la fronte

con un nastro,

gli posiamo sul collo sonagli colorati,

Olga Darchuk, 1976