George Tooker | Magic realism painter

George Clair Tooker, Jr., American painter (born Aug. 5, 1920, Brooklyn, N.Y. - died March 27, 2011, Hartland, Vt.), created luminous canvasses of social significance that echoed themes of love, death, grief, alienation, aging, isolation and faith.

Tooker’s egg-tempera paintings depicted eerie and haunting situations with mythic overtones. Some of his most chilling offerings include Children and Spastics (1946), sadists bullying three effeminate men; Subway (1950), harried commuters congregating with strangers; The Waiting Room (1957), seemingly catatonic patrons biding their time; and Landscape with Figures (1965-66), the heads of office workers bobbing above a maze of cubicles.

Edna St. Vincent Millay | Love is not blind / L'amore non è cieco

Vincent van Gogh🎨 | The starry night, 1888

Love is not blind. I see with single eye

Your ugliness and other women's grace.

I know the imperfection of your face, -

The eyes too wide apart, the brow too high

For beauty. Learned from earliest youth am I

In loveliness, and cannot so erase

Its letters from my mind, that I may trace

You faultless, I must love until I die.

David Martiashvili, 1978 | Naif painter

Artist at the third generation, David Martiashvili was born in in Tbilisi, Georgia.

He graduated from the "School of the Arts" for gifted children, then - Tbilisi Art Academy.

The artist works in the style of primitivism, with colorful Georgian overtones.

Aesthetics of the school creatively rethought their conscious and became motivated to find new means of expression.

Nancy Guzik, 1944 | Impressionist painter

American painter🎨 Nancy studied at The American Academy of Art in Chicago and The Lyme Academy of Fine Art in Old Lyme, Connecticut. However, it was her close association and ensuing relationship with Richard Schmid🎨, that brought her painting to its full potential. Nancy and Richard married in April of 1998.

Her art has been recognized with many awards🎨, including the 2007 Award of Excellence by the Women Artist of the West, Grand Prize from International Artist Magazine, three Gold Medals from the Palette and Chisel Academy, and First Prize from the Midwest Pastel Society.

Susan Ryder, 1944

British painter Susan Ryder began painting professionally at an early age. Encouraged by her father, Robert Ryder VC, an enthusiastic amateur painter who imbued his daughter with a similar passion, she entered the prestigious Byam Shaw School of Art.

There, her tutor, Bernard Dunstan, introduced her to the work of the post- Impressionist Edouard Vuillard, whose gentle scenes of intimate interiors, domestic spaces and gardens in soft blurred colours proved a significant influence on her painting style and choice of subject for the rest of her career.

Sue was only 18, and still a student, when she first exhibited at the Royal Academy. Shortly after, she married Martin Bates and spent the next decade juggling the demands of her career with that of her young family, painting both interiors and portraits.